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  <title>MediaPost | Mad Blog</title>
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      <description>The Ad Industry's Pop Culture Dish</description>
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      <copyright>Copyright 2009 MediaPost Communications</copyright>
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        Sat, 07 Nov 2009 14:11:38 EST
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  <item><title>Episode 12, 'The Grown-Ups': Two Shots Rang Out; Make Room for Daddy </title><description>This was a second-to-last installment that felt more like a shiver-inducing finale, with echoes of death -- and John F. Kennedy -- everywhere.  And as Joan put it, there was "nothing funny about it." </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=116837</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Thu, 05 Nov 2009 11:30:38 EST</pubDate></item><item><title>Episode 11: The Gypsy and the Hobo </title><description>This episode was the most explosive yet. Again, it was all about the search for identity, love and acceptance. It opens with Don telling Sally that Halloween masks are "plastic" and  "crap" that "you wear once." In terms of being able to put together a costume for the long term, Don certainly speaks from experience. </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=116291</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Wed, 28 Oct 2009 15:15:57 EST</pubDate></item><item><title>Episode 10: Another Lock Box, Another Troubled Brother, And...</title><description>Weren't the Brits the ones who were supposed to be the wankers? One of my favorite episodes ever, it's called "The Color Blue." Blue robe, blue Caddy, blue headboard, blue princess phone, Miles Davis' blues playing in Paul's office, Miss Farrell's kid asking how we know blue is blue. But it's more like Code Blue for Don and his secrets. </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=115858</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Wed, 21 Oct 2009 15:17:58 EST</pubDate></item><item><title>Episode 9: To The Moon, By Golly! Sal Gets Trumped! And, Is There A Difference Between Praying On It and Preying On It? </title><description>This week's episode was all about the invasion of space, both personal and planetary, and wanting what you want when you want it, regardless of the consequences. I don't know how Matthew Weiner coordinated it, but there was a march on Washington for gay rights on the very weekend that the episode repeatedly referred to the September 1963 march on Washington for racial equality and Martin Luther King's historic  "I Have A Dream " speech. Also, Connie, who seems to be achieving Howard Hughes-level craziness, told Don that he wanted the moon. And last week, WE (as in the USA, not the people of Hilton) actually bombed the moon. Neither ice nor towels were found there, apparently. </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=115434</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Wed, 14 Oct 2009 14:37:29 EST</pubDate></item><item><title>Episode 8: Hate And Kisses. Foreign Affairs. What's That Smell?  </title><description>Parts of Souvenir" left me feeling as cranky as Pete and Betty, the two petulant characters it focused on. Once again, it was all about reversals, and power and phalluses (or lack thereof.) With his wife away, Peter behaves like a dick, (or Dick) and was sexually abusive (or at least threatening) to poor Gudrun, the German au pair whose accent I couldn't buy. ("Zank you, Mistah Petah.") </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=115003</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Wed, 07 Oct 2009 14:00:57 EST</pubDate></item><item><title>Episode 7-- Duck And Clobbered! Or, Waiting For That Don Hancock, As Things Go Atavistic In The Night</title><description>Last week we got some pulp foot action, which lent a "Twin Peaks"-ish thrill to the proceedings. This week opens with a noir-ish mystery feel, with three forward-flashes (in medias res, to be fancy) on shots of recumbent characters. (Or as Jews ask at Passover, "Why on this night do we recline?")   Don happens to be nose down on the grimy motel carpet, bleeding, while Betty, dressed daintily and watching the ceiling, faint with the vapors, is thinking about touching herself. I have to hold my nose here before I can describe the third scene: Duck and Peggy are post-coital under the covers. </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=114489</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Tue, 29 Sep 2009 15:45:42 EST</pubDate></item><item><title>Episode 6: (John) Deere In The Headlights -- A Bloody Good Show! Plus, Don Puts The Don Back In Madonna!</title><description>The fog has lifted, but it cost an arm and a leg!  Ba-bum. Although the episode was full of death, blood, and hacked-off limbs, it was still very merry, and easily the best of the third season. </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=114088</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Tue, 22 Sep 2009 16:30:20 EST</pubDate></item><item><title>Episode 5 -- The Fog: Violence, Abandonment, Obliqueness, Or, What's New, Pussycat? </title><description>"The Fog" opens with an early morning meeting in a sun-dappled classroom: Don sits respectfully wedged behind a miniature desk, while full-term Betty stands towering like the Statue of Liberty, alone in the harbor, blonde hair piled formally on top of her head. (Whereas Miss Farrell sports long, loose brunette waves, all the better to play the Veronica type Don usually goes for in mistresses as opposed to his own blonde Betty.)  </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=113593</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Wed, 16 Sep 2009 12:30:47 EST</pubDate></item><item><title>Episode 4: The Arrangements: Again With The Father Issues?</title><description>R.I.P., Pope John XXIII and Eugene Hofstadt No. 2. Plus, blood and helmets. Skins and carcasses. A salt tooth.  Peaches and curbs. And, "Not tonight, dear! I have a Patio commercial to direct!" </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=113122</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Tue, 08 Sep 2009 16:15:18 EST</pubDate></item><item><title>Episode 3: My Old Kentucky Home, Or The Decline And Fall Of Practically Everybody</title><description>Roger performs in blackface! Red sings and plays the accordion! Sally steals! And Peggy inhales! There wasn't much action in this rather opaque episode -- at least in the classic car-crash sense. But the character details that emerged were like ice sculptures at a fancy shindig. You find them both tacky and beautiful, and can't stop staring.  </description><link>http://www.mediapost.com/publications/?fa=Articles.showArticle&amp;art_aid=112749</link><author>Dorothy Parker &lt;&gt;</author><pubDate>Tue, 01 Sep 2009 14:00:10 EST</pubDate></item> </channel></rss>
