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HOME • MANAGE SUBSCRIPTIONS • MEDIA KIT
The Declining Value of Content?
by Tyler Willis, Wednesday, March 18, 2009, 5:15 PM

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At SXSW, filmmakers, brand representatives, advertising agency employees, and digital creatives of all types were talking about one topic: the market value of content is plummeting -- fast. This trend is being pushed by such factors as the affordability of professional equipment, the growing number of people (often amateurs) who are capable of doing the work, and the general acceptance online of lower-quality video content. There's an increase in available content, which is driving up the value of the distribution channel.

On Sunday, about halfway through the conference, there was a fantastic panel on branded content, which brought together folks from Youtube, VBS.tv, IFC and Babelgum Film. The crowd was split between filmmakers and brand representatives from both agency and client side, inspiring one of the most audience- active sessions I attended all week, with a lively debate among panel and audience members. Eddy Moretti, co-founder of VBS.tv, brought a fascinating perspective: VBS has been able to turn a gritty offbeat style into a well-known entertainment brand and has developed a relationship with many internal and contracted creatives (directors, animators, etc.), who create branded shows for VBS, like one that was just announced: :Motherboard" (sponsored by Dell). VBS brings the brand relationships and a site that offers distribution to viewers.

Moretti said, using this method, the company was able to produce content that was low-cost enough to be fully underwritten by brand sponsorship and still allow VBS to own the videos. Moretti said that guaranteeing distribution on vbs.tv was integral to building deals like this, which takes the guesswork out because the company knows many of its viewers will watch any branded series they put out. Being able to promise brands that they can solve this distribution problem is what's helped VBS retain ownership of the value of its content, avoiding the fate of many other video producers.

Jess Search, Moderator of the Panel and CEO of The Channel 4 Britdoc Foundation, said very directly that she's watching the value of content plummet, and recommended that filmmakers find a partner they can work with to handle the problem of distribution. She doesn't think it's necessary to be an expert at distribution, as she put it: "There are experts in getting content out; filmmakers shouldn't worry about solving distribution." Still, she was quick to add, if you're trying to produce marketing content, you should "make friends with people at agencies. Learn how they think, buy them drinks, find out what they read and subscribe to the same -- just talk to them about their world."

It makes sense -- when 60,000 videos are uploaded to Youtube everyday, it becomes really hard to stand out based on content alone. Anyone trying to surface their video content today has to solve a very difficult problem with distribution, and should have a strategy, budget, and partnerships to do so.

1 person recommends this article. 

14 comments on "The Declining Value of Content?"

  1. Joe Pulizzi from Junta42
    commented on: March 25, 2009 at 2:32 PM
    I think this has been said but it's worth saying again, content is more powerful than ever. A company with no brand and no following can develop a relevant piece of industry content that can spread like crazy. We are all publishers today...whether you are the times or a startup.

    I believe Pinaka said this - but the real issue here is the distribution of power/attention as it relates to content. Non-media companies, especially those that start to understand social media distribution, are the ones reaping the benefits, and growing their businesses through content marketing. Definitely a content revolution going on - which is probably bad for most media companies that monetize only with online display.

  2. Boaz Tal from DiGiPex.com
    commented on: March 20, 2009 at 12:34 PM
    The general acceptance of low quality video content is a hype driven by high availability. All new mediums started with low quality and where pushed up-hill by creators and technologist. Black and white turned to colour, Mono to stereo and Video is turning HD. As video production technology move forward, we will demand more and tolerate less. I think it is important to separate the availability of content form the availability of creators. What is content? “Most User generated content is in many cases not “content” at all, in the sense of being created for general consumption, any more than a phone call between you and a relative is “family generated content” Here comes Every Body by Clay Shirky The fact that viewers find UGC videos amusing is not new – funny home videos shows have been around since the 50s. Video cameras and video sharing sites meant that allot more could become available and when allot more is available – some become huge hits. E.g Charlie bit my finger – 87M views on youtube . http://www.youtube.com/watch?v=_OBlgSz8sSM. But that doesn’t turn all UGC to content. The few that get noticed are like the home videos that where picked by TV producers and became part of Home video shows – but this time they are picked by the crowed. A creation of any type becomes content when the creators think about a way to tell a story or deliver a message and go about creating it. Video Production work is about planning, scripting and working together to tell a story. Video content is a result of a production process, and most The real change is the availability of low-cost tools for creators. What we are witnessing is a complete democratisation of Video production. Creators can produce, complete and broadcast their work independently from any filtering system. This is the real revolution and since it is fairly new – we are still straggling to understand it’s impact. UGC is the fringe of this revolution. What happens next is much more interesting.

  3. Mitch Posada from LatinLounge.tv
    commented on: March 20, 2009 at 8:41 AM
    I agree a lot with the article which is why I'm trying to solve the distribution problem for Latino themed or written and produced by Latinos. Without the eyeballs I can't help filmmakers connect with sponsors which is required to get the eyeballs in the first place.

    Currently distributing a Mio.tv Widget aimed at Bi-lingual Latinos in the event there are website publishers...we're paying per video view + click-through.

    Warm regards,

    Mitch

  4. Martijn Lafeber from Coupling
    commented on: March 20, 2009 at 4:56 AM
    I couldn't agree more! I've personally felt the pain of getting attention for a nice personal video.

    The views at the time of writing: vimeo: 48 views youtube: 258 views hyves: 3024 views

    Hyves is the Dutch facebook, and the only reason for the high number of views is I know someone there who put it in the highlighted section.

    Links: http://vimeo.com/3683980 http://www.youtube.com/watch?v=HZsOROIf3Fk http://kratpalm.hyves.nl/album/342629/Iedereen/6fNReRn3/video/521702305/0/OCsg/

    (ok, I have yet to notify my entire address book)

  5. Tyler Willis from Involver
    commented on: March 20, 2009 at 3:18 AM
    Hey All,

    Great conversation around this, thanks! I'm not surprised the topic is controversial, it's definitely something that has a big effect on many of our livelihoods.

    I certainly didn't mean to imply that content had no value, rather that their are market trends that make creating good content cheaper, which in turn is making the content discoverable a much harder proposition.

    Again, thanks for your comments, and I welcome further discussion on the topic here, or directly at tyler@involver.com

  6. Pinaki Saha from Me!Box Media Inc.
    commented on: March 19, 2009 at 1:29 PM
    I think the entire article is presented from the lenses of a media distributor and a brand manager - as if the entire value in the ecosystem is captured because of them! Then the argument is justified by the fact that discoverability is the biggest challenge for the media producer and hence he should bow down to these gatekeepers to make their hardwork of some worth!!

    Wow.. I think its high time that the industry take a note of the fact that if there is no quality of the content, your superior distribution and million page views will still land the content in a deep long-tail bucket in less than few days if not less.

    The solution matrix should be crafted keeping the media creator at the center of the model. They are the drivers who dictate the nature of story telling and the category of interest that generates from it. The model of monetization is also tied to the aspiration index that is generated after watching the content. So, a model that cultivates the tremendous volume of properties produced over time and connects them seamlessly between the paradigms of celluloid and Internet will be able to reward the producers, the consumers, and obviously the brands. But again, the heart of the model lies in the quality .. not the quantity (number of views) alone.

  7. Jim Courtright from Big Thinking By The Hour
    commented on: March 19, 2009 at 12:18 PM
    In our upcoming book "Become Your Own Broadcaster", we discuss the same topic, but end up at a different conclusion. Our premise is that the value of distribution has been reduced to next to nothing through the Internet. Anyone can broadcast to the world from their own website for very little overall cost. Conversely, content's value will increase, because we'll need more and more customized content developed as individual brands begin broadcasting their own audience-attracting content from their own websites. However, content creators might not be able to charge as much for that content, as the audiences will be smaller and more narrowly focused.

    Jim Courtright Partner Big Thinking By The Hour, Inc

  8. Corby Fine from Rogers Media
    commented on: March 19, 2009 at 11:17 AM
    Just remember, Obamagirl was shot in one day, with two camera people found on the same day through Craigslist. Quality content can be developed on the cheap, or with high budgets. The relevancy of it, to personal likes and preferences, to political or social issues, to family and lifestyle situations...that is what will drive audience and ultimately revenues by access to the right audience.

  9. Mark Arnold from Mark Arnold
    commented on: March 19, 2009 at 6:53 AM
    I don't necessarily agree with everything said in Tyler's piece.

    Yes distribution is the heavyweight right now, but history tells me, having survived several bubbles and blow outs in the last 12 years, that the market generally corrects itself, and there will be winners and losers in the distribution game.

    If I had a euro (exchange rate is better at the mo!) for every time I heard "Content is King", or "Content is Dead" then I'd be as rich as Madoff, er, I mean Bill Gates.

    If you have a great product, be that distribution model or a well written, acted and directed film, then you have a good chance of being a success, and I think that has always been, and will continue to be the case.

    What the current situation offers today is a huge opportunity, especially to content creators, to access an industry that their talents would have been excluded.

    As has been mentioned, the drop in cost to make films and also set up distribution channels has widened the pool of talent dramatically, and so there are more opportunities for those excluded from the industry in the past.

    Let's face it, if you come up with the next Simpsons, CSi, Slumdog Millionaire your content IS king!

    And that can only be of benefit to the end user in my opinion, as well.

    The only advantage the big players have had, and will continue for a while yet (despite the recession) - e.g. AOL, News Int., Yahoo in the past 5 years - are the dollars to stay in the game, buying up cool start-ups, and re-organising.

  10. Joseph Guerriero from DMD Mobile Holdings
    commented on: March 18, 2009 at 9:53 PM
    the entire discussion and premise is very scary. media properties are woefully under-performing. the concept that content is not important is what is driving down valuations. i don't mean to infer that traditional media producers are the only folks that can produce relevant, quality content. quite the opposite. however, too much bad to average content regardless of distribution actually drags down the value of quality content. take a look at what less than quality loans did to the economy. once you start dumbing-down content or stop paying attention to the quality of the content you producie, you begin to play a zero-sum game that ultimately leads to a decline in value for even those brands that are early adopters.

  11. Ruth Ann Barrett from EarthSayers.tv
    commented on: March 18, 2009 at 6:57 PM
    We aggregate video content on a specific topic and add value by reviewing for relevancy and quality. We have learned a lot about the value of content coming from a variety of channels, including YouTube. What people don't seem to want or believe is slick, processed information produced and written by people who have no idea what they are writing or talking about...

  12. Barry Morgan from Comus Capital
    commented on: March 18, 2009 at 6:36 PM
    We deal mostly in the "publicly traded company" segment of the marketplace. Although public company's tend to have pretty good video content, they too have problems with distribution.

    We've partnered with www.InvestmentPitch.com, which does an excellent job of using video content to assist potential investors in their search for investment opportunities.

    Their site is not bogged down with the "cat on skateboard" type of video content, as NBC Universal's Jeff Zucker likes to describe YouTube content. Nor does the site remain full of last week's news stories.

  13. thedigi talhobo from TheDigitalHobo.com
    commented on: March 18, 2009 at 6:21 PM
    You could also make the argument - especially if you are a targeting technology provider - that the content is irrelevant to begin with. It is simply the access point to your audience.

    The value of the content may be slipping, but that doesn't necessarily change the value of the audience watching.

  14. Nelson cabrera from eCreativeads.com
    commented on: March 18, 2009 at 5:37 PM
    We love this article! We at eCreativeads.com have been on fire in the Online Video space. The cost has come down to where a one man show can do everything on a job. We have some very talented filmmakers working with us. Our clients range from the small business owner to the Fortune 500, including advertising agencies looking to cut cost and still maintain top-notch creativity.

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TYLER WILLIS
  • Willis, 22, is director of marketing for Involver, a technology company that helps brands distribute, track and optimize video campaigns on social networks. Willis writes about virality, engagement and monetization at http://blog.involver.com and is @tylerwillis on twitter. He can be reached directly at tyler@involver.com.


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