TV Producers Driven To Find New Revenue: Marketers' Dollars?
A longtime former publicity executive of the Hollywood Foreign Press Association -- the group that owns the rights to the Golden Globes Awards -- now claims in a lawsuit that the head of the group, Philip Berk, demanded "commission" from a TV advertising buy NBC got from Chrysler. This was reported in TheWrap.com.
The suit says Chrysler made a $2 million advertising buy on NBC in one specific airing of the awards show. Additionally, the suit claims merchandise and other favors were exchanged for Globe nominations.
We don't know the validity of these accusations. But we do know that TV producers, strong and weak, are now looking for extra revenue these days -- more so that ever, due to the pressure to reduce license fees by the networks. That could mean merchandising, or more recently, product placement/branded entertainment opportunities. Much of this targets TV marketers' coffers.
While you would think much of this pressure might be working for mediocre shows looking to keep themselves afloat, it's actually prevalent for stronger TV franchises. The Golden Globes is one of these, a TV franchise that has grown in statue, viewership, and, yes, advertising sales. The latter is what NBC controls -- advertising revenues. The Hollywood Foreign Press Association gets, as virtually all TV producers do, a license fee for producing the Globes.
Rare are the TV producers of award shows that yield big influence on their TV sponsors. The Academy of Motion Pictures Arts & Sciences is perhaps the only TV producer to have final approval of the TV advertisers that appear on its long-running Oscar Award show on ABC. In recent years, AMPAS, looking to fend off other awards' efforts, has broadened this list to include, with a bunch of restrictions, movie studio advertising.
Other award shows take a different tack. For years media buyers have noted MTV's own high-demand trophy shows, the Video Music Awards and MTV Movie Awards, have been used to drive bigger, broad-reaching, year-long, upfront-like deals.
It's a new world, and TV producers -- especially those not connected to a specific network -- are now thinking about digital video and other platforms, and the revenue rights they can secure.
Near term, TV producers will still a need the mechanism of a network to ultimately get their wares shown. The question is, what will these new digital-age financial deals look like?
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WAYNE FRIEDMAN
Wayne Friedman is West Coast Editor of MediaPost.
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Wayne, I think you are my new hero. For the last 5 years we have been working for this very day. We believe that there is room for hundreds of channels and the creation of Brandcasting Opportunities for Advertisers and Content owners who control the entertainment pipeline. We have researched and found the best in class technologies to start THE SHOPPORTUNITY of the Century. Content is King and even more so a weary consumer who is realizing that they are subsidizing Reruns. Drop by our discussions on Linkedin and follow us at www.wcntv.tv We believe we can create a win win for the entire Entertainment Supply chain while reducing piracy and increasing revenues. We offer Branded Search opportunities along with the monetization of streaming video. Thanks for this great article...WCN The New Social Media Brandcasting Partner.
I admit I am solid junkie watcher of the Golden Globes and Oscars including the up to the minute before they begin. So I had on E yesterday and did an athletic shoe (not to mention the manufacturer to provide even more pub) bore into this discussion. Way, way overdone - put a fork in it - by the interviewer and the lovely Latina star of Modern Family. When asked about how she keeps in shape, she gave over the top, put that fork in it, continued pushes for shoe magic. Someone commissioned it. Bloated bull.