Apparently, New York-based Joystick Interactive hasn't heard Bitcoin is imploding. The agency, which works with Google
and Disney, has announced they will now accept Bitcoin as a payment for their work. To celebrate what they call "embracing the future of money," Joystick is offering all clients paying with Bitcoin a
20% discount. Of accepting Bitcoin, Joystick CEO Chris Wilson said: "As an agency with global clients and a focus on creative innovation, we recognize the need for innovation and growth in digital
currency, just as there is in digital advertising." Good luck with that, Chris.
Matthew Charlton, CEO of independent agency Brothers and Sisters, makes a clear and concise argument as to why he chose to head up an independent agency rather than work for large, global holding company. Chief among his reasoning is the fact that all the decision makers are under one roof making for quicker decisions that are closer to home and unencumbered by layers of external management and, as well -- for the most part -- a focus on what's right for the client versus what's right for the agency. He explains, writing: "I remember very clearly a conversation with Nigel Bogle when I was running Johnnie Walker about some inter-office politics in the micro network and Nigel was very clear: 'Do what is right for the brand, everything else including money is secondary.' In that one sentence the difference between being private and a PLC (holding company) was loud and very clear."
That Barbarian Group Superdesk? We just saw it in person this week at a party the agency hosted. It's as awesome as everyone has said it is. And while the desk is most certainly awesome, its designer created a similar desk for Mother London in 2004. Architect Clive Wilkinson shares the story saying: "We were working with an advertising agency in London called Mother, which had started with six people around a kitchen table. When we began with them, they had a 75-person table and they wanted a 200-person table. We based it on a racetrack the Fiat company had on their Turin factory rooftop, a big oval. It was 14 feet wide and cast in concrete, which was suitably ridiculous for an advertising company. They're all about ephemera, and three-inch-thick concrete with rebar is as permanent as you can get.” But who really cares? That desk is in London, this desk is in New York. And it is awesome!
Like an oxymoron trying desperately to convince us it possesses a shred of logic in its schizophrenic brain (well, you know, if oxymorons actually had brains), New York-based Rosetta is professing "growth and evolution" as reasons for its latest round of layoffs. The Publicis Groupe customer engagement agency, which just brought in Lars Bastholm as chief creative officer in November and said goodbye to ECD Dave McClain, appears to be grasping for straws when it comes to placing a bow on its apparent downfall. They agency has reduced its North American staff by 5%.
David&Goliath has hired Mike Geiger as managing partner, chief digital officer. In this new position, Geiger will report to D&G Chairman David Angelo and will be responsible for developing
“world-class digital strategy, creative, integration and content production.”
The hire is designed to help further bolster the agency's executive leadership team following a string of recent promotions, including Colin Jeffery as chief creative officer, Brian Dunbar as president and Seema Miller as chief strategy officer.
Of the hire, Angelo said: "Over the past year, we have been assembling nothing short of an all-star leadership team. We are ecstatic to have Mike join our team as he brings a wealth of top notch digital and integrated expertise to the table. His entrepreneurial style and big thinking are a perfect fit for our Brave culture as we continue to seek out brands in need of overcoming marketing goliaths."
And of joining D&G, Geiger said: "I'm really excited to return to an independent creative agency like D&G where I can be closer to the people and the work. At the end of the day, my passion is finding and cultivating great talent, building teams and creating breakthrough work. When I first met with David and the rest of the team, we just clicked -- we had the same values and vision for how to run a business. I can't wait to get started."
With it being so close to April Fool's Day, one might wonder whether or not The Tenties are just a hilarious take on the ad industry's obsession with
awards. Oh wait. Anyway, The Tenties has issued its call for entries which begins May 15.
The Tenties has also announced CP+B Chairman Chuck Porter as Chief Juror. Apparently, table tents were Chuck's first foray into advertising, and the medium is near and dear to his heart having helped jumpstart his career.
Some of the award categories include Best Table Tent for less than 1,000 tables, Best Table Tent for more than 1,000 tables, best Flip Stand table tent, best Quad-Fold table tent, best use of a QR code on a table tent, best Cylindrical table tent and best "green" table tent.
And where will this awesome award ceremony take place? Well, it seems it will occur September 15 in Las Vegas...at the Holiday Inn...in Ballroom B. Sounds pretty swanky, right?
In an interview with The Guardian, Crispin Porter + Bogusky CEO Andrew Keller
shared his thoughts on failure and how failure can fuel future success.
When Keller was in college, he intended to become a doctor. That didn't go so well. Of that time in his life. Keller said, “I was at a very small college in a very small town. And having failed, I decided I’d stay in that town for the summer and work as a cook in this restaurant. I wanted to know: how bad was failure? I’d seen my dominant dream, to be a doctor, come crashing down. And it was like, okay -- let’s explore this a little bit.”
Of the lessons he learned during this supposed failure, Keller added, “I was supposed to be a doctor, so staying in a little town and working in a restaurant -- that was not something that figured in my hopes and dreams. But I did that, and it gave me confidence. Because it wasn’t so bad. Failure isn’t so bad.”
And even though society and culture view failure as taboo and something to certainly avoid, Keller says we all should resist this line of thinking. Because failure is most certainly going to happen. That's what he tells his kids. He says, "failure is going to happen to all of us. It is going to happen to you.” So embrace it and learn from it.
From now until the end of summer, those passing by the Time-Life building, home to the "Mad Men" fictional SC&P agency, will have the chance to sit on a bench crafted to look just
like the bench in the opening credits of "Mad Men."
The 12-foot bench was designed by Pentagram and consists of just two pieces -- a half-inch thick rolled steel plate seat and a 10-foot cast-concrete base.
So if you've got a hankering to sidle up to Don Draper (or whomever that silhouette turns out to be) then now's your chance.