Apparently, New York-based Joystick Interactive hasn't heard Bitcoin is imploding. The agency, which works with Google
and Disney, has announced they will now accept Bitcoin as a payment for their work. To celebrate what they call "embracing the future of money," Joystick is offering all clients paying with Bitcoin a
20% discount. Of accepting Bitcoin, Joystick CEO Chris Wilson said: "As an agency with global clients and a focus on creative innovation, we recognize the need for innovation and growth in digital
currency, just as there is in digital advertising." Good luck with that, Chris.
Matthew Charlton, CEO of independent agency Brothers and Sisters, makes a clear and concise argument as to why he chose to head up an independent agency rather than work for large, global holding company. Chief among his reasoning is the fact that all the decision makers are under one roof making for quicker decisions that are closer to home and unencumbered by layers of external management and, as well -- for the most part -- a focus on what's right for the client versus what's right for the agency. He explains, writing: "I remember very clearly a conversation with Nigel Bogle when I was running Johnnie Walker about some inter-office politics in the micro network and Nigel was very clear: 'Do what is right for the brand, everything else including money is secondary.' In that one sentence the difference between being private and a PLC (holding company) was loud and very clear."
That Barbarian Group Superdesk? We just saw it in person this week at a party the agency hosted. It's as awesome as everyone has said it is. And while the desk is most certainly awesome, its designer created a similar desk for Mother London in 2004. Architect Clive Wilkinson shares the story saying: "We were working with an advertising agency in London called Mother, which had started with six people around a kitchen table. When we began with them, they had a 75-person table and they wanted a 200-person table. We based it on a racetrack the Fiat company had on their Turin factory rooftop, a big oval. It was 14 feet wide and cast in concrete, which was suitably ridiculous for an advertising company. They're all about ephemera, and three-inch-thick concrete with rebar is as permanent as you can get.” But who really cares? That desk is in London, this desk is in New York. And it is awesome!
Like an oxymoron trying desperately to convince us it possesses a shred of logic in its schizophrenic brain (well, you know, if oxymorons actually had brains), New York-based Rosetta is professing "growth and evolution" as reasons for its latest round of layoffs. The Publicis Groupe customer engagement agency, which just brought in Lars Bastholm as chief creative officer in November and said goodbye to ECD Dave McClain, appears to be grasping for straws when it comes to placing a bow on its apparent downfall. They agency has reduced its North American staff by 5%.
I suppose it's entirely possible that there are hundreds of companies with the word "shift" in their name. And here's another; one that might raise an eyebrow with marketing agency Shift
Communications. Why? Because ShiftRGB.com (which, anachronistically, displays only 1995ish "coming soon" text).
Petrol Advertising Motion Director David Edeburn is launching ShiftRGB, a creative firm he says he's launching in response to Google Chrome's September 15th move to discontinue auto-playing Flash media. ShiftRGB will specialize in creating HTML5 display advertising for ad agencies transitioning to HTML5 display ads.
For the past 15 years, Edeburn has worked as an HTML5 animator, Flash animator, creative director and web developer at WOO, Arsonal and Petrol.
Following its premiere at the Palais des Festivals during the Cannes Lions International Festival of Creativity and a showing in Milan on July 15, Saatchi & Saatchi continues to celebrate the 25th
anniversary of its New Directors’ Showcase, this time with a New York City screening event at the Museum of Modern Art Tuesday, August 25.
Saatchi & Saatchi will present the New Directors Showcase featuring this year’s directing talent as well as the U.S. premiere of “25X25”: an "experiment in film" directed by 25 New Directors' Showcase alumni who have been recognized for their successful film, television, and advertising careers.
The “25x25” directors include Daniel Kleinman, Dawn Shadforth, Floria Sigismondi, Jonathan Glazer, Michel Gondry, Ivan Zacharias, Traktor, Dante Ariola, Ringan Ledwidge, Antoine Bardou-Jacquet, Carl Erik Rinsch, Noam Murro, Tim Bullock, Dougal Wilson, James Rouse, Jamie Rafn, Fredrik Bond, Philippe Andre, Jake Scott, Ne-o, David Wilson, Daniel Wolfe, Ilya Naishuller, Vania Heymann, and Charlie Robins.
Of the event, Andy Gulliman, Saatchi & Saatchi Worldwide Director of Film & Content and curator of the New Directors Showcase said: “Back in 1991 an idea was conceived for a Showcase that would reflect the agency’s reputation for nurturing and developing new talent. 25 years later we are still committed to providing a global platform for new directing talent.”
Saatchi & Saatchi New York CEO Brent Smart added: “It was a real highlight to experience the New Directors’ Showcase and 25X25 Film at Cannes this year and we couldn’t be more excited to bring this event to New York. I hope our clients, partners, and people find the same inspiration from the next generation of filmmakers.”
Recently, DDB Istanbul was in search of an art director. As is always the case with an open creative position, the agency was slammed with portfolios. But one portfolio stood out and was far and
away above all others.
Like a shipwrecked person on an island (after all, that's kind of like what joblessness is like), Canhür Aktuglu did the message in a bottle thing placing his cover letter inside a bottle and embedding a USB stick containing his portfolio in the bottle's cork.
Check out several images of his creation here.
Pretty soon we'll start calling trading desks media departments. Oh, wait.
Barton F. Graf 9000 has brought in a new creative team, Michael Hagos and Sam Dolphin, who have joined the agency as art director and copywriter. Hagos and Dolphin will report directly to Executive
Creative Directors Scott Vitrone and Ian Reichenthal.
Hagos and Dolphin have been working together off and on since the pair were in graduate school at Virginia Commonwealth University and became a team while helping to launch the New York office of Goodby, Silverstein and Partners. Together, they have worked on Comcast, New York Post, Street Easy, and Rock the Vote.
Of the pair, Barton F. Graff 9000 Founder and Chief Creative Officer Gerry Graf said: “I love the different ways they find creative solutions. When I look at work, and I can’t figure out how the team came up with the idea, those are the people I really like. Michael and Sam are campaign thinkers who fundamentally understand that breakthrough ideas also need to sell stuff. Not to mention, they’re pretty nice guys to have around the office.”
Before his time at Goodby, Hagos worked as a freelancer for a variety of agencies including Red Antler and Venables Bell and Partners. Prior to that, he spent time some time at Mother NY and Sid Lee, producing creative work for companies such as Target, Virgin Mobile, Stella Artois, Proust eMusic, and JCPenney. Before becoming partners, Dolphin worked as a copywriter at Wieden+Kennedy, Portland, where he created work for Dodge, P&G, Coca-Cola, Facebook, Nike, American Express, Sony, Special Olympics, and Herbal Essences, among others.