In 2019, according to eMarketer, 15-second videos comprised 57% of all digital ad performance worldwide, followed by 30-second videos at 28%. This data suggests that we as marketers should be creating content that is 15 seconds or less versus longer videos. By comparison, digital videos that were longer than 75 seconds (75, 90, and >90) comprised 0% of worldwide metrics.
Based on this information, a logical conclusion would be that some of the most impactful videos from the past few years would be 15 seconds. Why else are so many advertisers relying on them? However, how many 15-second videos have had a nation- (or global-) wide impact?
But what about the Colin Kaepernick video created by Nike that ran for two minutes and twenty-two seconds? This long-form video would not be recommended and yet went viral, garnering over hundreds of thousands of views. So why, when the data suggested otherwise, how did this succeed?
Harmonizing Data & Creative
This is the crux of the problem when it comes to relying on data. Data tells us averages. It tells us most likely events — even in multiple linear regressions, we can only reject the null hypothesis and not prove a statistical relationship.
Data’s power lies in optimization. If we develop ads for the data, then we will see an influx of similar content trying to capitalize on a small slice of the market.
However, in advertising and marketing, the truly effective ads and movements aren’t just created by optimizations. They are created by venturing where no creative has gone before. By taking a bold risk, Nike was rewarded with publicity for weeks, versus another flash in the pan.
Advertising at its core is a creative industry. The creative is what moves us, inspires us, and drives us. It should be at the forefront of our strategies.
Data, on the other hand, should help guide where we place the creative, the frequency of it, what demographics need to see it, and more.
In other words, creative shouldn't conform to data; data should be used to optimize creative. Because at the end of the day, an ad is only as good as the story it tells and the people it connects with.
Matt, I do agree with most of your points, at least in the traditional applications of research. But, I’d like to have more details and/or examples on how you view research optimizing creative decisioning. How do you use research in developing storylines? Are you talking about brands nixing breakthrough creative based on a few data points?
Nota bene: Optimizing research talent. We feel it’s critical college students exit their studies with more than just one or two marketing or consumer research courses. In our view, it’s also critical courses expose students to current and practical industry applications of the various methodologies and statistics. They also need some depth in persuasive communication, basic behavioral psychology and real-world exposure to “creatives at work.” Internships are a must! All that might be too much to ask, since many appear to have trouble just wearing masks during a pandemic.