Mark Blankenship writes that the Spider Man story -- not the one
Julie Taymor is at pains to tell on the Broadway stage, but the one about the disastrous production -- is, like so many other disaster scenes, about public rubber-necking. "The real story here," he
writes, "is that our apparent hunger for something to be obsessed with, for something to pick apart, is turning the discussion into a shrill and vicious harangue."
Still, the producers might be hoping that people don't look at that $170 ticket price and wonder if it wouldn't perhaps make more sense to just buy a U2 album, throw it on an iPod, and go watch people bungee jump.
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