Remember that recent don't-text-and-drive ad from Ogilvy & Mather for Volkswagen that showed moviegoers in Hong Kong watching a person driving when suddenly, everyone in the movie theater received a call, took it, and then saw the person driving on screen crash? Maybe you are one of the 25 million people who have seen the ad. Well, Happiness Brussels is accusing Ogilvy & Mather of copying a don't-talk-and-drive ad they created in 2009. You can view the Ogilvy ad here and you can view the Happiness Brussels ad here. Of the ads' similarities, Happiness Brussels Founder Karen Corrigan said: “The whole thing is completely based on the same mechanic. The only difference is it is for VW and not a safety organization. It is the same message, [mobile call] mechanic. They did not re-use our film but the style is an exact copy.” For its part, OgilvyOne Beijing issued a statement which read: “These campaigns are not related. Our work uses location-based technology in a cinematic experience to highlight the dangers of texting while driving.” Corrigan says she has sent a cease-and-desist demand to VW and Ogilvy & Mather but neither have replied. She laments, “With 24 million views, I think the damage to us is done.” These things are never easily resolved.
In Boston last week, The Ad Club and PayPal's Start Tank completed the inaugural Brand-a-Thon, a 72-hour hack-a-thon event during which 17 start-ups briefed several
teams of ad agencies. The agencies then chose to pitch nine of those startups taking 72 hours to create their pitches. Agency pitches were then heard by a panel of judges who selected three winners.
NAIL Communications won first place for their pitch to Spray Cake, an absolutely disgusting sounding product that consists of a spray can out of which emanates a cake that can be microwaved. Second
place went to allen + gerritsen for their pitch to Supplet, a much healthier-sounding service which sends monthly packages of organic foods to expecting and new mothers. And third place went to Forge
Worldwide for their pitch to Project 20/20, an eye doctor on wheels service.
Droga5 is going places! The agency scored its first automotive account last week after having been tapped by Toyota to promote the brand's hydrogen fuel cell vehicle in Japan, U.S. and Europe. Of selecting Droga5, Toyota USA Director of Digital Marketing Strategy Kimberley Gardiner said: "We approached Droga5 to give us some ideas, and they came back with something that blew us out of the water. It ended up being a full campaign pre-launch proposal." David Droga himself has much experience with the brand having worked on the account when he was with Saatchi & Saatchi Asia and London.
Last week there were layoffs and staffing changes at Razorfish. A statement from the agency reads: “Like most companies, flexes in business require us to realign in order to accommodate the evolving needs of our clients. The recent workforce reduction represents less than 3% of our global headcount. We remain committed to sourcing world-class talent and further strengthening our capabilities to deliver business transformation. Our immediate focus is ensuring we continue to provide the best services possible to our existing clients and new accounts such as Peet’s Coffee & Tea and Car2Go.”
Oy! Another creative award event? Sadly, yes. This one's comes from The A-List Hollywood and they have announced the call for entries for the Moving Image
Advertising, Interactive & Branded Entertainment 2015 Award. The entry deadline set for January 30, 2015.
I'm told the A-List Hollywood is the first creative advertising competition of its kind in Hollywood and will focus on the intersection between advertising and entertainment across all platforms. The event will be judged by the usual collection of international creatives including Leo Burnett's Mark Tutsell, JWT's Matt Eastwood, 360i's Pierre Lipton, DDB Germany's Eric Schoeffler among others. And, no, there's not one single woman on the jury.
Of the awards, The Martin Agency Chief Creative Director Joe Alexander said, "There are way too many award shows and way too many without a clear purpose. The A-List Hollywood is the rare exception. It rewards the brands - and agencies - that are behaving in the most creative and engaging ways. Now that's refreshing."
Right, Joe. That's vastly different from every single other award event on the planet.
There's been a lot going on with Nationwide and its relationship with its agencies over the past few months. While its relationship appears to be solid with McKinney, things are not going so well
regarding its relationship with Moxie.
Confirming this, a statement from Moxie CEO Suzy Deering reads: “While Moxie will continue to work with Nationwide, it will no longer be on a retainer basis. Given this shift, we’ve begun the process of closing our Columbus office. Accounts currently serviced out of that location will be handled by our Pittsburgh and Atlanta offices. We are very proud of the work our Columbus team has produced over the years. They are a group of truly talented, dedicated professionals, and we thank them for all they have done.”
It totally sucks when an office of an agency has to shut down due to client shifts or losses. It's not fun. I've been there and know firsthand what it's like. But life goes on. Mine did. And so will the lives of everyone involved here.
Former TBWA LA Creative Director Gustavo Sarkis has joined Crispin Porter + Bogusky and will lead creative for the agency's Miami office. When at TBWA, Sarkis worked on Gatorade and helped the
agency win the Adidas World Cup account.
At CP+B, Sarkis will head up all creative aspects and accounts in the Miami office including Infiniti Mexico and The Miami Dolphins.
The hire rounds out a shift the agency has made away from an agency-wide, global CCO to CCOs for each individual agency office. This shift began last January when worldwide CCO Rob Reilly left the agency.
Of the hire, CP+B Chairman Chuck Porter said, "Our success has always been about the work. Gustavo has a real understanding of culture, and an extraordinary feel for making an emotional connection between a brand and its audience. He has a strong entrepreneurial spirit so it seems especially fitting that he should lead our Miami office, where it all began."
Have your agency's Instagram hashtags been hijacked? Are you seeing a giant ad when you view images with your hashtag created by Dutch creative student Max Kurstjens? Well then
he's identified you as a place he'd like to work. You see, Kurstjens, like every other creative trying to break into the business, is sick and tired of you all ignoring him and his creativity.
So Kurstjens took it upon himself to get noticed. He created several different Instagram accounts and uploaded a collection of images that formed a large composite image that would be viewable to anyone clicking on an agency hashtag.
Targeted agencies included Leo Burnett, AKQA, 72andSunny, Anomaly, Droga5, Ogilvy & Mather, DDB Worldwide and others. The composite image resulted in an ad which read: "We Have Your Hashtag" and directed viewers to WeHaveYourHashtag.com where Hashtags are destroyed. On the site, agencies can "reclaim" their hashtag by sending in an email with a prefilled message that invites Kurstjens into the agency for a cup of coffee. Way to score an interview!
Check out a video of the stunt here.