If you are drunk and you are a creative director and you live in Hungary and you are handed an envelope by an attractive host at the Hipnozis Award show, you had better open it. Or at least
we hope you opened it when it was handed to you last week at the event. And we hope you realized the two people who created it -- Zsofi Toth and Denes Szanto -- are two kick-ass creatives looking for
work. And since they were nice enough to provide you aspirin for that nasty headache you were about to experience the next morning, the least you could do is check out their Friday Saver Project and grant them an interview. After all, not only was their stunt creative. It was a live saver to you as well. Hmm. Hopefully,
come June, they are walking up and down Le Croisette in France with a Cannes Lions MondayTuesdayWednesdayThursday
So the new ad agency, as you may have heard, will be all about inventing things rather than creating ads. Here's what Deutsch LA Chief Digital Officer Winston Binch has to say: "Agencies have been making products for a long time. Alcohol brands have been invented by plenty of agencies, for example. But it used to be an idea and you’d outsource the production. What’s different now is a lot more of it is technology, it’s digitally based. That requires new people in the building. There’s a lot of talk about invention right now in advertising. Its startup culture -- there’s the show Silicon Valley on HBO -- that culture is mainstream now. A lot of advertisers are grabbing on to it. Nike+ came about in 2006 right around when I left R/GA. That changed the ad world forever." And who cares how anyone finds out about these inventions, it would seem.
Two new creative teams have been appointed at TBWA\Chiat\Day LA. Marco Monteiro and Ana Carolina Reis join from AlmapBBDO in Sao Paulo, Brazil; Guy Helm joins from Mistress; and Chris Rodriguez joins from FCB LA, respectively. The appointments follow the promotion of Stephen Butler to chief creative officer, with Fabio Costa and Brent Anderson as ECDs. At AlmapBBDO, Marco and Carol worked together for over two years on brands including Volkswagen, Visa, PepsiCo, Bayer and Pedigree. The award-winning duo have a host of awards next to their names, including, most recently, a Gold and two Silver Lions from Cannes 2013. Prior to AlmapBBDO, Marco worked for Saatchi & Saatchi and Carol at Fallon. Prior to joining TBWA, Guy was the lead creative at Mistress, working with brands including Hot Wheels, Disney, KIND Snacks, Jagermeister and Playboy. Chris -- famed for Allstate’s “Mayhem” in addition to work for brands including Kraft, Hallmark, Bounty and Nike -- joins from FCB LA Bowen, where he held the position of senior art director.
Liberty Mutual, which last year launched an agency review after having spent years with Boston's Hill Holliday, has selected Jack Morton Worldwide as its agency of record. Liberty Mutual is the official property and casualty and life insurance partner of the 2014 and 2016 U.S. Olympic and Paralympic Teams so Jack Morton will have their work cut out for those events. Of their selection of Jack Morton, Liberty Mutual Chief Communications Officer Paul Alexander said: “Major domestic and international sponsorships as well as numerous grassroots and local sponsorships are key factors in our brand awareness and business strategies. We are delighted to form a partnership with Jack Morton to help direct our overall sponsorship strategy and activation initiatives to maximize these sponsorships for employees, agents and brokers, customers and the general public.” If interactive is to play a major role in the work, the agency's recent acquisition of Genuine Interactive should help.
After having founded and worked at Mother New York since 2003, Andrew Deitchman -- who left the agency in September -- has decided it is time for something different. Deitchman has launched The New Stand, a 150-square-foot shop located in the Union Square subway station in New York.
The New Stand will sell everything from art supplies to bags to cosmetics to snacks on a rotating basis that will see new and different items populate the store on a weekly or even daily basis. Items will sell for 20 to 50% less than elsewhere because of partnerships that Deitchman has set up with brands and media companies. Some items will even be free.
Of the setup, Co-Founder and COO Lex Kendall said: "The idea is to give people everyday conveniences by being a launch pad for brands to push product." In addition to sharing revenue on sales of items with ongoing fees, the store will have a free app that will be populated by ad-supported content from various media companies including Time as well as products from eBay.
In an about face that, unbelievably, has everything to do with common sense and nothing whatsoever to do with the usual agency-stye thinking when it comes to the latest and greatest social media toy, ad agencies are shying away from Snapchat.
Ever since Snapchat launched its ad program and priced it at approximately $500,000 per ad, agencies have been skittish about making a commitment to the social network. Along with the high price tag, there has been concern over the ability of Snapchat to provide useful metrics for campaigns. That skittishness became more prevalent when Fidelity recently slashed the valuation of its stake in Snapchat by 25%.
Even with upwards of 100 million unique visits per day, agencies and the brands they represent have said they need more concrete information about who uses the service and the ability to better measure campaign success.
Of the concern over Snapchat's measurement and targeting capabilities, RAIN COO Nick Godfrey told Reuters: "If Snapchat doesn't get that figured out, they're in trouble."
Sydney Williams, manager of social media marketing for General Electric, which just signed a deal with Snapchat for its second campaign, said: "I'm looking forward to Snapchat coming out with a little more in-depth analytics."
Early this year, Toyota ran a campaign with Snapchat but isn't sure it will continue citing (according to a representative who wished to remain anonymous) the networks inability to provide better targeting capabilities.
However, even though a recent Coke campaign on Snapchat saw 75% of users skip the ad after three seconds, Coca-Cola North America Senior VP of Content Emmanuel Seuge said: "Snapchat has earned a seat at the table in terms of the options that we look at for consumer engagement.
While the company has raised $1.2 billion from investors and is said to be valued at $16 billion, it lost $128 million in the first 11 months of 2014 according to a leaked financial statement and, during the same time period, had $3.1 million in revenue. Snapchat did not launch its advertising program until October of 2014. Re/code estimates Snapchat could hit $50 million in revenue by the end of 2015.
Saatchi & Saatchi LA, Saatchi & Saatchi New York and Team One received perfect scores of 100 percent on the 2016 Corporate Equality Index, a national benchmarking survey and report on corporate policies and practices related to LGBT workplace equality which is conducted by the Human Rights Campaign Foundation. The three agencies join the ranks of 407 major U.S. businesses that also earned top marks this year.
Of the perfect score, Saatchi & Saatchi Executive Director of Talent Kirk Guthrie said: “We are honored to be added to the HRC Equality Index and proud to serve as yet another face of equality in the workplace. Diversity, Inclusion, and a genuine belief in equality are core to who we are and a valuable part of what drives great creative work for our clients.”
The 2016 study rated 1,027 businesses in the report, which evaluates LGBT-related policies and practices including non-discrimination workplace protections, domestic partner benefits, transgender-inclusive health care benefits, competency programs, and public engagement with the LGBT community. Saatchi & Saatchi’s score in the study earned the agency the designation as a Best Place to Work for LGBT Equality.
Other agencies/marketing firms obtaining a perfect sore were DigitasLBi, Interpublic, Leo Burnett, MSLGROUP, Ogilvy, Razorfish, Re-Sources, Starcom and ZenithOptimedia.
In the Shower Thought subreddit, Narokkurai posted: "Every ad agency should have an 'office pervert,' a boorish slob whose sole job is to review every pitch and find every innuendo/offensive subtext he can."
To other redditors who thought he was joking, Narokkurai clarified by writing: "No no no, this is to AVOID the penis. The Office Pervert is a specially trained operative, a man who can find a penis-shaped needle in a haystack, so the art department can correct it before it goes out to the public."
In a way, Narokkurai has a solid point. Far too much work seems to escape the common sense review process and not just for reasons of sexual innuendo of offensive language. Of course, it's also hard to contend with rampant -- but ever so faux -- social media "outrage" which often turns a seemingly innocuous ad into a poster child some egregious offense. In other words, there is always someone out there who will be offended by whatever is created no matter how harmless it may seem at the time of creation.
That said, it really would behoove an agency to instill a bit of common sense into the process to minimize the chance of turning the brands they work for into idiotic, insensitive dolts who are then ravaged by trolls who have nothing better to do than to sit around in their underwear and trash whatever crosses their screen.
As much as this function is needed, it's quite clear no one would pine for the job title of Office Pervert. Even if, deep down, they are one.
The Seattle outpost of Publicis has hired a new creative team. Joining the agency are James McKenna and Mathew Trego. The team will be assigned the T-Mobile account.
McKenna comes to Publicis Seattle after a period of freelance work and two years as creative director with TBWA\Chiat\Day where he worked on Google, Disney, Grey Goose, Jimmy Dean and Reebok.
Trego joins Publicis from McKinney where he was associate creative director on Travelocity, ESPN, Mizuno Golf and Sherwin Williams. Prior to his six years with McKinney, Trego spent three years with Eleven Inc. working on Apple, Callaway and the Oakland A's.
As you have undoubtedly heard, Minneapolis ad man Pat Fallon died last week. In honor of Fallon, former Fallon staffer and current partner at GdB Doug deGrood created a tribute ad that appeared as a full-page ad in the Minneapolis Star Tribune on Wednesday. But deGrood did much more than simply create a tribute ad.
deGrood, along with several other co-workers, went much further reaching out to the Minneapolis ad community asking for their participation in the ad. Over 40 agencies participated.
The ad contains the logo of all the businesses that participated along with the copy, "While any other day we might be business adversaries, today, we the members of the Twin Cities advertising community are united in expressing our gratitude to a man who literally changed the face of Minneapolis advertising. And on whose shoulders countless individuals have built their careers."
Of his efforts reaching out to the ad community, deGrood told me: "The conversations were very short, because it took people all of a nanosecond to say, 'Damn right, we want to be part of this!' And that was when everyone thought we were going to have to pay for the space. The Star Trib later graciously comped it. Classy move. Not sure they want their other advertisers knowing that though!"
You can see the ad here.
Well done, sir!
Last week Pepsi made news announcing it would get rid of its procurement department and hand that role to the marketing departments of individual brands. While many noted the move was a positive one, most brands -- according to a recent Association of National Advertisers study -- will not be dropping their procurement departments.
The study posed the following question to 148 of its members: “PepsiCo has eliminated its marketing procurement department, saying moving the function to brand teams will allow it to be ‘more efficient and effective.’ Do you think PepsiCo’s move is indicative of a wider industry trend toward the elimination of marketing procurement departments?”
Of the 148 respondents, 68 percent said they do not believe this will become a trend, 15 percent said it would and 17 percent said they did not know.
Several reasons were given by respondents explaining why they thought widespread dismantling of procurement departments will not occur:
While the findings do suggest there will not be widespread dismantling of procurement departments, another study, also from the ANA, found that just 47% of brands see value in procurement departments. In other words, no one likes procurement but everyone realizes they're stuck with it.
And if there were any doubt as to where the ANA stands on this issue, ANA EVP Bill Duggan said: “Procurement can still bring significant value to marketing. Procurement provides expertise in areas that are beyond the skill sets of most marketers. That allows marketers to do what they do best: marketing! At the vast majority of ANA member companies, marketing procurement is not going away.”
Long live red tape and bureaucracy!
On Monday, founder of Greenville ad agency Erwin Penland, Joe Erwin, announced his retirement. Erwin launched the agency in 1986 with his wife and one account. Since that time the agency has grown to 1,000 employees with offices in Greenville and New York.
In a note to staff announcing his retirement, Erwin wrote: "While this might seem sudden to many of you, the fact is that Allen (Bosworth, the agency's COO) and I have been talking about succession planning for well over a year. I love Erwin Penland and what we have done for more than 29 years -- a place that began so humbly with a team of just three, where we believed that anything was possible. ... My heart will always be with Erwin Penland, and I will always stand ready to help the agency."
Erwin plans to refocus his energies toward education continuing to work on Food For Thought, a nutrition and health conference he and his wife launched as well as on the Erwin Center for Brand Communications at Clemson University.
Erwin closed his note, writing: "This arena is where I will focus even more energy. Beyond my work at Clemson, I will be looking at other opportunities where my energy as a creator might be helpful to others. So in closing, let me just say thank you for allowing me to work for you. It has been an honor and a privilege."
The agency was acquired by IPG's Hill Holliday in 2004.
A little while ago, Leo Burnett Sydney hired 5 new creatives. All of them were men. The agency promoted the hires with a very bro-like picture. The agency was then roundly chastised for its seeming disregard for the fact that there are women creatives who exist who can be hired by agencies.
Upon seeing this announcement, former BBH US Founder and champion of equality in advertising Cindy Gallop tweeted to the agency, "It's 2015. What the f*ck were you thinking?" as well as pointing out this creative department bromance has many riled up.
PepsiCo Global Beverages President Brad Jakeman chimed in, tweeting: "Leo Burnett Sydney needs adult supervision given how they are handling this."
Leo Burnett Sydney CEO Peter Bosilkovski defended the hires, saying: "None of these people were hired because of their specific gender, race or nationality. They were hired because they are the best.
It's now being reported that a Leo Burnett Sydney staff member at the agency threatened a freelancer, saying that she would not be hired because she shared a Daily Mail news story on Facebook about the incident along with the message, “Leo Burnett’s in the media for being a boy's club #sexdiscrimination.”
Following that post, the Leo Burnett Sydney staff member posted on the freelancer's Facebook page, “We almost called you about some work today. But since you bad mouthed us without any knowledge of the female quota in the agency, we will think again. #burnthosebridges.”
The freelancer shot back, writing: “That’s an outrageous thing to say. If there’s been a misinterpretation, please correct the record.”
Bosilkovski also defended the staffers attack on the freelancer calling the exchange an "emotional response."
In a statement, Bosilkovski said, “Understandably, this has also created a large emotional response. The recent posts on social media are emotional responses by one employee, and do not reflect the views of management of the company, or a company policy of any kind. We have spoken to both our employee and the contractor regarding this issue to resolve it.”
Leo Burnett Sydney has reached out to the freelancer to see if fences can be mended but the two parties have not yet connected.
I mean really. Like Cindy said, it is 2015, right?
WTF, Leo Burnett Sydney?
Not that this is a particularly new refrain -- after all, every ad agency exec works very hard to snuggle up to the CEO of the companies for which they work -- but Possible CEO Shane Atchison is re-trumpeting the refrain saying digital agencies must connect with and speak the language of the client CEOs. He cautions digital agencies in particular may find themselves under a head stone if they can't provide meaningful, business-focused counsel and not simply advice on the best media spend.
In an interview with Mumbrella, Atchison said, “To stay relevant, we have to share knowledge and ideas beyond a media plan and media spend. From all of my conversations, when I speak to CEOs there’s a greater desire to embrace digital, but then you get into the safe zones further down the company structure in the marketing department. I don’t think the barriers are in the technology or strategy. Between when the CEO is saying yes and the CMO, that’s where the challenge is."
Atchison also noted that -- and, again, this is the same old refrain that always seems to get lost on ad agencies -- many digital agencies fail to make the connections between the goals and results of a digital campaign and the effect it has on bottom line ROI. He says, “If we can do that, we’ll be relevant for eternity.”
Why this is even a thing (reminding ad people that ROI is the only thing that matters) anymore, is a bit baffling but, then again, pontifications like Atchison's do serve a purpose. Ad people all to easily are distracted by shiny new objects (Periscope, Vine, Blab, Snapchat, content marketing, native advertising, WhatsApp, the collaborative economy, cinemagraphs, extreme content marketing -- no, really, it's a thing, social selling, emojis and the list goes on) and often times forget what really matters: ROI and sales.