McCann Melbourne ECD and D&AD Awards Judge John Mescall, it seems, is not a fan of social media and its effect on advertising creativity. Of today's real-time mania, Mescall said, “Designers seem to get the time and space to execute beautifully and
perfectly while the advertising industry seems rushed. I think we are driven by immediacy and social currency and that seems to be driving our industry ever onwards. This whole idea of being part of
the social conversation has sped up everything we do. You look at the visual communication from the design field compared to advertising and they are miles apart in complexity and
craftsmanship.” He just may have a point. While beautiful work still exists, there is an endless plethora of crap from brands that fill social streams on a daily basis. And let's not even get
started with the parade of pointlessness generated in the good name of content marketing.
Bob Barocci, a well-known name in the ad world who was President of Leo Burnett International and built up the stature of the Advertising Research Foundation, died last Thursday in Manhattan at the age of 72. Of Barocci, Leo Burnett Vice Chairman Dennis Barnham said he was "the best all-around advertising man I have ever worked with. Of his work for the ARF, board member Jack Wakshlag, chief research officer for Turner Broadcasting said, "Perhaps the greatest gift Bob has given to the ARF is an extraordinary strong platform that will continue to grow and be relevant for the foreseeable future."
Not every bit of advertising awesomeness occurs on Madison Avenue. In fact, very little advertising awesomeness occurs on Madison Avenue any longer. It's no longer 1968, and advertising awesomeness is now everywhere. In Minnetonka, MN, an agency called Horizontal Integration has, in the past ten tears, grown from a two-person shop to an agency with over 70 employees and offices in both Minnetonka and Denver. The agency's revenue grew 41% in the last year alone, and they've been dubbed one of America's top job creators on Inc. Magazine's Build 100 Index. Of their position on the Index, Inc. Economist in Residence Gary Kunkle said: “More than 72% of all new U.S. jobs are created by 1% of companies. The Build 100 represents that top 1 percent of that one percent. They should be celebrated, but they must also be studied so that we can better understand the decisions, priorities, investments and strategies that helped them grow.” Founder and CEO Sabin Ephren attributes the agency's success to a unique combination of creativity and in-house technology division that sure all the "technical plumbing" required of today's campaigns works flawlessly.
Branded entertainment and cross-media storytelling shop, Campfire, has been acquired by Sapient Nitro and will help fuel the agency's deeper foray into the world of interactive film. Campfire, founded in 2007 by the producers of The Blair Witch Project, was awarded Ad Age's Small Agency Campaign of the Year in 2013 for its work on Cinemax's Hunted as well as Small Agency of the Year by our very own MediaPost OMMA Magazine in 2011. Of their becoming part of Sapient Nitro, Campfire President Jeremiah Rosen said: “We’re thrilled to be joining SapientNitro, an agency that we see really breaking boundaries as storytelling advances through the application of technology. In an environment where film is evolving from a passive medium to an active and increasingly interactive one, their passion for blurring the lines of media and driving the future of how consumers connect is in deep alignment with everything we have created at Campfire.”
Brooklyn artist Maya Hayuk spoke with Starbucks agency 72andSunny over the course of eight days regarding her artwork and how it might be incorporated into promotional work for the new Starbucks
Mini Frappuccino. But after the eight days, she told the agency she was too busy to create new work and the talks ended.
Upon launch of the Mini Frappuccino, Hayuk felt the rainbow-style artwork was a bit too similar to work of her own and she filed a $750,000 copyright infringement lawsuit against Starbucks saying the finished product was "strikingly similar" to her work.
The lawsuit states: "Starbucks brazenly created artwork that is substantially similar to one or more of Hayuk’s copyrighted works.” Hayuk's lawyer added: “When things like this happen, it cheapens the value of the art -- it’s really true. And her only source of income is her art.”
For its part, a Starbucks spokesperson said: “We are aware a complaint has been filed, and we are investigating the allegations.”
It seems the "hook up" is the predominant theme at Cannes Lions this week. Just like Barbarian Group's Dumb Phones, Virool's "Cannes We Meet" helps delegates connect with other
Cannes We Meet is a web app that works just like Tinder. After you visit the site and log in using LinkedIn, you can swipe right to meet or left not to meet in a manner very similar to the Tinder dating app.
Of the app, Virool CEO Alex Debelov said, "We know that clients meet agencies, agencies win business, startups win funding and products find buyers. Now we're helping bridge that gap and propel our industry forward."
Nice effort though I'd venture to say that I'm not all that far off base when I suggest rose-fueled delegates are thinking about propelling forward something entirely different than the industry while boozing it up in Cannes.
Leading up to and during Cannes Lions, a handful of the world's best and most respected creatives convene on jury panels in Cannes, France to judge the world's creative. These judges are the cream
of the crop. Any agency would love to have them work for their shop -- but how does an agency reach out to all these amazing creatives all at once? Easy. Turn your Cannes Lion entry case study
video into a recruitment ad.
180LA did exactly that by submitting a case study video of an entry into four Lions competitions; Film, Press, Direct and Radio. So as jury members were in the midst of reviewing hundreds of entries, they were also delivered a sneaky recruitment video. Quite brilliant actually, and from the tweets some of the judges sent, the stunt seems to have gone over quite well.
Y&R/Bravo Miami VP Creative Director wrote: "Hey @180LA thanks for the offer in the middle of the judging process. Lol. I'll call Monday." Proximity Creative Director Eva Santos wrote, "A case study just called me by name and offered me a job. Great idea @180LA #canneslions "lionsjudging."
Delivered with the drollest of droll voice overs, jury members, if not interested in the offer, are asked to "pass this idea to the shortlist and help change the life of another CD."
Check out the video here.