Writing in Forbes, Avi Dan discusses the notion of whether or not the agency of
record model is dead. But he comes to no real conclusion. I will. It is my belief that the agency of record is the best model and that brands who shop every last project out to the some specialty shop
or the lowest bidder are doing themselves a disservice in the long run. Why? Because every new shop wants to put its stamp on the brand -- and that almost always results in different iterations of the
brand promise when it should be consistent year after year after year. Yes, specialty shops can move quicker than most mainstream agencies, but unless a lasting bond is formed between agency and
brand, the two shall never come to a true understanding of one another. My suggestion? Agencies should get over their pride and partner -- truly partner -- with other entities that can provide what
the brand needs so that there is still one controlling interest in place overseeing brand consistency. Yes. It's much easier said than done. But that shouldn’t deter agencies from trying.
In a hilarious take on why agency credential pitches are pure folly, Brothers and Sisters CEO Matthew Charlton writes, "I think it starts in a bad place because unknown to the client, the agency has spent more time arguing about the font, font size and visuals in the PowerPoint and even longer on what to put on the reel than any one of their clients' business in the last three months. Agencies are obsessed with their creds." Having worked in many an agency, I can confirm that is, sadly, 100% true. He boils it all down to one hilarious equation: a) What The Client Wants (WTCW) = b) What The Agency Actually Wants To Talk About (WTAAWTTA) - c) What The Agency Has Actually Produced (WTAHAP) x d) Level Of Summary Exaggeration Required (LOSER).
Oh, this is rich. After the PR arm of Carmichael Lynch, known as Carmichael Lynch Spong, realized there might be confusion in the marketplace as to which entity is which, the agency has decided to spin off the PR unit as, simply, Spong. How long did it take them to figure that out? 23 years. Yes. 23 years. Of the change, Carmichael Lynch Spong Founder and President Doug Spong said: "On occasion, there’s confusion between whether Carmichael Lynch Spong is an advertising agency or if Carmichael Lynch is a PR firm, so it brings a lot of clarity to that, and in this day and age, clarity is good." Really, Doug? Really?
And if you've been living under a rock for the past day or two, it might interest you to know that JWT is changing its name back to J. Walter Thompson. Say what you will about that, but the real news is that Sir Martin Sorrell let the cat out of the bag at an executive breakfast Monday -- stealing the thunder right out from under JWT CEO Bob Jeffrey, who had been adhering to a plan to make the change later this year in December to coincide with the agency's 150th anniversary. Oops.
I suppose it's entirely possible that there are hundreds of companies with the word "shift" in their name. And here's another; one that might raise an eyebrow with marketing agency Shift
Communications. Why? Because ShiftRGB.com (which, anachronistically, displays only 1995ish "coming soon" text).
Petrol Advertising Motion Director David Edeburn is launching ShiftRGB, a creative firm he says he's launching in response to Google Chrome's September 15th move to discontinue auto-playing Flash media. ShiftRGB will specialize in creating HTML5 display advertising for ad agencies transitioning to HTML5 display ads.
For the past 15 years, Edeburn has worked as an HTML5 animator, Flash animator, creative director and web developer at WOO, Arsonal and Petrol.
Following its premiere at the Palais des Festivals during the Cannes Lions International Festival of Creativity and a showing in Milan on July 15, Saatchi & Saatchi continues to celebrate the 25th
anniversary of its New Directors’ Showcase, this time with a New York City screening event at the Museum of Modern Art Tuesday, August 25.
Saatchi & Saatchi will present the New Directors Showcase featuring this year’s directing talent as well as the U.S. premiere of “25X25”: an "experiment in film" directed by 25 New Directors' Showcase alumni who have been recognized for their successful film, television, and advertising careers.
The “25x25” directors include Daniel Kleinman, Dawn Shadforth, Floria Sigismondi, Jonathan Glazer, Michel Gondry, Ivan Zacharias, Traktor, Dante Ariola, Ringan Ledwidge, Antoine Bardou-Jacquet, Carl Erik Rinsch, Noam Murro, Tim Bullock, Dougal Wilson, James Rouse, Jamie Rafn, Fredrik Bond, Philippe Andre, Jake Scott, Ne-o, David Wilson, Daniel Wolfe, Ilya Naishuller, Vania Heymann, and Charlie Robins.
Of the event, Andy Gulliman, Saatchi & Saatchi Worldwide Director of Film & Content and curator of the New Directors Showcase said: “Back in 1991 an idea was conceived for a Showcase that would reflect the agency’s reputation for nurturing and developing new talent. 25 years later we are still committed to providing a global platform for new directing talent.”
Saatchi & Saatchi New York CEO Brent Smart added: “It was a real highlight to experience the New Directors’ Showcase and 25X25 Film at Cannes this year and we couldn’t be more excited to bring this event to New York. I hope our clients, partners, and people find the same inspiration from the next generation of filmmakers.”
Recently, DDB Istanbul was in search of an art director. As is always the case with an open creative position, the agency was slammed with portfolios. But one portfolio stood out and was far and
away above all others.
Like a shipwrecked person on an island (after all, that's kind of like what joblessness is like), Canhür Aktuglu did the message in a bottle thing placing his cover letter inside a bottle and embedding a USB stick containing his portfolio in the bottle's cork.
Check out several images of his creation here.
Pretty soon we'll start calling trading desks media departments. Oh, wait.
Barton F. Graf 9000 has brought in a new creative team, Michael Hagos and Sam Dolphin, who have joined the agency as art director and copywriter. Hagos and Dolphin will report directly to Executive
Creative Directors Scott Vitrone and Ian Reichenthal.
Hagos and Dolphin have been working together off and on since the pair were in graduate school at Virginia Commonwealth University and became a team while helping to launch the New York office of Goodby, Silverstein and Partners. Together, they have worked on Comcast, New York Post, Street Easy, and Rock the Vote.
Of the pair, Barton F. Graff 9000 Founder and Chief Creative Officer Gerry Graf said: “I love the different ways they find creative solutions. When I look at work, and I can’t figure out how the team came up with the idea, those are the people I really like. Michael and Sam are campaign thinkers who fundamentally understand that breakthrough ideas also need to sell stuff. Not to mention, they’re pretty nice guys to have around the office.”
Before his time at Goodby, Hagos worked as a freelancer for a variety of agencies including Red Antler and Venables Bell and Partners. Prior to that, he spent time some time at Mother NY and Sid Lee, producing creative work for companies such as Target, Virgin Mobile, Stella Artois, Proust eMusic, and JCPenney. Before becoming partners, Dolphin worked as a copywriter at Wieden+Kennedy, Portland, where he created work for Dodge, P&G, Coca-Cola, Facebook, Nike, American Express, Sony, Special Olympics, and Herbal Essences, among others.