Is this TV summer a case of how to lower one's programming risk -- or a mindset of "why the hell not?"
Comedy Central is developing a show called "JC," an animated show about Jesus Christ finding himself in New York City, looking to get
out of the shadow of his father -- a man who seemingly just wants to play video games and not focus on his son.
Seems crazy. This network already has issues with throwing around the name
of Prophet Muhammad on "South Park." How does one sell this to advertisers?
Here's one approach: It's comedy, which means the bigger the subject, the bigger the laugh -- in theory.
People have been making fun of big institutions, including religion, for hundreds of years.
Whatever you think about Comedy Central, give it its due. At least it continually tries to
come up with something new, which is exactly what advertisers want. Marketers have complained about too much copy-cat programming in recent seasons. But how far should networks go?
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The
summer is traditionally the time for riskier programming ventures. Remember the summer of 2000? That was when CBS senior executives had to be charmed into taking a chance on a little show where people
would be stranded on a Pacific island for 30 days, forced to eat bugs, bicker and compete with other contestants, and maybe win $1 million.
"Survivor" is still around a decade later --
once again in first place on Thursday night. "Survivor" started a new genre for TV: the low-cost reality-TV program (which soon yielded another category, higher-cost reality shows.)
Don't expect much this summer. It might be hard to squeeze out another programming category. A more modest goal: mixing different elements, getting quirkier, might be the rule. Right now there are
more networks looking to combine comedy and drama, giving viewers more for their money.
TNT, for example,
has "Memphis Beat," with "My Name is Earl" star Jason Lee in a George Clooney-produced show playing a cop who lives with his mom and is a musical impersonator at night.
TNT got into
this kind of genre a couple of seasons ago with "The Closer" and then "Saving Grace." FX, of course, has been on the edgier side of TV drama for some time, with "The Shield," "Rescue Me," and
"Damages." Advertisers were at first resistant, but have come around.
Here's the historical ongoing problem: Networks need to find the next big thing soon, especially with ratings of
even the highest-rated TV shows drifting ever southward.
What does one head now this summer? Into safety? Into risk? Into the pool? Or into the pool of risky comedy featuring
historical/religious figures?