Hell's bells, Mad peeps! We're back!
I know we're all madly anticipating Sunday night's season 4 premiere. But try to relax. Have your kid pour you a drink. Dab some tuna on your saltines.
Then take your shoes off and pull up an ottoman: we have a lot of deliciousness to discuss!
Work-wise, at least, "Sit Down and Close the Door," the final episode of season 3, could not have
ended on a more exhilarating note. Last we saw Don, he was carrying his office belongings out of Sterling Cooper in a cardboard box bearing the Velveeta logo, possibly signifying that he was going to
be The Big Cheese at the new agency, Sterling Cooper Draper Pryce.
Velveeta, of course, is fake food stuff, a sly joke from the writers. But given all that's happened to him on both the
domestic and professional fronts, Don might actually have a chance to start over, and, as Dr. Phil says, "Get real."
Then again, this is "Mad Men." There's a reason Velveeta was invented:
unlike the frequently stinky or melty real deal, processed food has an endless shelf life and is easier to package and ship. Odds are that Don will continue to process himself as a product, package
himself neatly to the outer world, and numb himself with booze and sex in order to continue the painful charade of being Don Draper.
And he'll isolate. That's the core of the show: a man in
isolation. And that's the message of the latest poster promoting the new season. The photo shows Don, seen from the back, still dynamically suited, starched, and Brylcreemed* [See SPOILER below],
standing alone in an empty office, facing the floor-to-ceiling windows. The only object in the room is a mid-'60s-period landline phone, attached to a long cord, which stretches near his feet on the
floor. Is it a landline, a lifeline or a land mine?
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The creators often target the back of Don's head-- perhaps to reference his inscrutability. That way, we can't read his face. If you remember, we were
introduced to Don in the pilot from behind: we see his well-dabbed coiff from the back, as he smokes and doodles on a napkin in a bar.
Plus, all along, the show's signature graphics showed a
silhouetted Don-like figure from behind, with his arm around the back of a sofa. In the case of the latest poster, does the setup mean he's ready to wage a full-frontal assault on the world? Expose
himself? Or jump? Just like the show, it raises more questions than it answers. Some things never change. It also suggests the beautiful, animated opener, a Hitchcock- like view of someone jumping.
Yes, hold on to your homburgs: the message is ambiguity, though it leans more to something ominous than gleefully high-flying.
It could also suggest just how empty Don's life is, including his
home life.** [See SPOILER below]
When you think about it, the birth story of the new agency is very much like Don's switch in identity: both created in trauma, overnight, forged out of a war,
like a lightning-quick raid.***[See SPOILER below]
So this brings us pretty close to the opener, and here are my questions:
1)Will Don still be able to have sex with women if he no
longer has a wife to cheat on?
2)If there is a divorce, will Sally (the excellent actress Kiernan Shipka) start acting out big-time, and need to be shipped off to live with her dad, where
she'll run around the city, unattended, for all hours?(And will the lisp get worse from the trauma?)
3) Despite the male names on the door, will the agency turn into a ''gynocracy," as the
English twit put it?
4)If so, will Joan now be able to rule over the world, and will Peggy Olson turn into Mary Wells Lawrence?
5)Will Sal start a new career as an Ann-Margret
impersonator?
6) How crazy is Pete? Is he happy with Trudy or once again a weasel?
Oh, so much to chew on, Mad friends. How are you guys feeling? See you after the first episode!
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SPOILER SECTION: *The year is 1964, so the story line hasn't jumped in time to the
'70s.
** I was half hoping that Don and Betty would reconcile, but I'm afraid that's a pipe dream. They've moved on. According to a piece in the New York Times, Betty has indeed
married Henry Francis, the creepy belly-feeling assistant to the New York governor, whom she's kissed once. He persuaded her to take no money from Don and run off to Reno to marry him immediately. I
know -- it's pretty devastasting news. And apparently, Francis' mother has problems with Betts' mothering. That's gonna be rich!
***And it seems Sterling Cooper Draper Pryce has moved, too, out
of the suite at the Pierre and into proper offices. That bodes well, not only for the new agency's solvency, but perhaps more importantly, for employee sanity. All those alpha males in one room would
not work -- they do not play well with others. Nor would Peggy and Pete be able to sit so close to each other for an extended run.