One of the big promises of the digital age was that journalism would be transformed by an army of amateur videographers - namely, all of us regular citizens - who might just happen to be nearby when
something important goes down. And it's true this kind of user-generate content has provided some pretty amazing scoops and footage from incidents which might otherwise have been missed by "real" TV
news outfits: some of the most alarming video I have ever seen is amateur, close-up footage of tornadoes (I mean really close-up - way closer than any professional news outfit would get). But it's
also clear that the close-up perspective of the random passer-by just can't compete with professionals when it comes to certain types of events.
All this occurred to me while watching video of
the huge earthquake and resulting tsunami, which devastated northeastern Japan, drawn from both amateur and professional sources. Although I can't claim to have seen all the user-generated video
coming out of Japan, I feel confident stating that most of the really compelling (and frequently disturbing) video was produced by professional news orgs - usually with no warning or time to
prepare.
One big advantage the professional news outfits had in terms of resources was mobility and perspective - specifically the aerial mobility and bird's-eye perspective provided by traffic
helicopters, which were able to turn their focus from congested highways to the approaching tsunami, capturing awful (but spectacular) footage of giant waves sweeping huge ships and mountains of
debris over neat, orderly farmland and villages. As so often is the case, the most compelling footage was also the most terrifying, and some of the scenes were positively apocalyptic: a building on
fire riding the flood tide into the center of a small town, an oil refinery in billowing flames.
By contrast, the user-generated content - while interesting for its man-on-the-street perspective
- simply couldn't capture the scale of the event or the damage inflicted. Videos taken by regular folks out in the streets or in their offices appeared to show some shaking, but (no offense, amateur
cinematographers) the usual fumbling of inexperienced videographers made it impossible to get a sense how much was the earthquake, and how much was the person holding the camera moving around.
Likewise, amateur videographers tend to be a little too frenetic: because they want to capture everything, they keep on whirling around to focus on some new subject, before whirling back to see what's
going on over there - and end up capturing nothing of interest.