Maybe major media companies have dipped their toes too deep into the waters of subscription video-on-demand operators like Netflix and Amazon.
In an investor meeting, David Zaslav,
president/chief executive officer of Discovery Communications, said this practice doesn’t make sense.
"It’s just not rational that all of us in the content business sold our content to a distributor and have allowed that distributor to gain so much share and offer it without our brands ...
Ultimately, content is what sells every platform."
Versus other networks, Discovery isn’t in much of this bind. It did make some deals with Netflix for its non-scripted programming some
years ago, and pulled back in other areas -- kids programming -- with the subscription video service. But Discovery has no plans to pursue a big slate of scripted TV programming.
Zaslav did
hit on something important: that while live TV viewing is still king, increasingly many viewers are happy to take their time in getting to a current season’s episode or past seasons
episodes.
advertisement
advertisement
This goes to the argument that there is too much good TV for viewers to consume live — or, at best, in the near-term. Instead, TV viewers rely on their DVR units, VOD services,
ad-supported digital services -- or, yes, Netflix -- to view that content whenever.
So maybe getting the newest, freshest shows around isn’t all that important -- especially for younger
viewers?
Still, anywhere from 57% to 66% of TV viewing is live, same-day viewing. So, TV broadcast networks still cling to the idea of live viewing -- that, for example, viewers
might rush to catch up on a previous season’s worth of shows to be ready for the new crop of episodes.
But what if this is decreasingly not that important? So here we go back to the
likes of Netflix, fully happy to buy up recent -- but not necessarily current -- seasons of TV shows.
Netflix business then seems to be built on an oversupply of good TV programming -- kind of
like a library, or a bookstore. Lots of good stuff to get through.
So -- what’s the rush?