Brian Wieser, senior analyst of Pivotal Research Group, says advertisers will increasingly look to ever-bigger packages of gross rating points for national TV advertising instead of say, individual advertising units in “Empire," “NCIS” or “The Voice.”
Worries about slowly declining TV ratings points on cable or broadcast shouldn’t be the focus.
“So long as networks have capacity to help advertisers meet their GRPs and reach delivery goals, the ups and downs of ratings have only a limited impact on ad budgets,” Wieser writes.
From the network perspective, they will continue to look for new ways to find higher value in those assets -- longer-tail VOD airings of non-skippable commercial and more time-shifted viewing of TV content.
Perhaps even more importantly, other analysts say TV networks will surely look for premium pricing when serving advertisers who want to link their first-party advertising data with traditional TV viewing metrics -- and offer guarantees on those strategic targets.
You can already see TV networks positioning to gain bigger premiums for their specific networks by pairing down commercial clutter. Viacom started doing this for a few networks; Turner is doing this for truTV.
Why now? Some analyst believe TV networks have few tools left to find higher premiums.
Wieser believes looking at actual commercial audience share changes are strongly correlated with revenue share changes and are a better metric in figuring out where big TV media companies are going than individual ratings.
Why? In part, he notes that reported TV ratings are different from ratings that are guaranteed to advertisers. Also national TV advertisers sometimes shift media budgets from, say, broadcast to other venues -- such as cable TV networks. This doesn’t seem to be because of changes in ratings, but because of access to lower prices.
He adds that TV marketers can still be moved because of the medium's ease and scale: “We have observed that media planners tend to allocate shares of budgets to specific media owners with some mindfulness towards the share of inventory that a given media owner possesses.”
Will “Big Bang Theory” do well next season? Or “Quantico”? Or “Brooklyn Nine-Nine”? Look for more media buying/advertising executives to be shrugging their shoulders at those questions.