Commentary

Why The Music industry Is NOT Dead

When was the last time you were in a record store?  I used to go once a week.  It was fun to browse the new releases, peruse the bins of my favorite artists and plow through the used CDs to see if there was anything I wanted to pick up.  Times change, though, and that behavior has become as anachronistic as the pocket watch (and, yes -- I still like pocket watches).

The record industry has experienced more dramatic change in the last 10 years than almost any other category of consumer product.  Don't be confused by that statement, because the music industry is indeed a very well-defined consumer product, but the advent of digital media has created an entire generation of people who may never set foot in a record store.

 Just last week I was dropping off a friend of mine when I was reminded of a song I wanted him to hear.  When I played it for him, he mentioned that he hadn't yet purchased that deluxe edition box set where the song originates, because he didn't know where to go anymore!  The joke was that just when he should have gone to a record store, he didn't even know where one was anymore.

advertisement

advertisement

Numerous articles have been written about how the music industry is dying, but that's not what I'm here to write about. Instead, I want to raise awareness of the fact that the business is potentially better than ever.  From my perspective, the music industry is now set to experience a rebirth and a reinvigoration because the stars have aligned -- the industry part is getting cut out, and the artists are the ones to make the money! 

Just look at the way we consume music now.  Yes, it's primarily digital, which means poorer sound quality and a less tactile experience, but that also means the art can come through in many new ways.  Artists have the ability to create more immersive cover art than ever before, lending value to the experience.  Why not create a virtual album cover that is digital video and 3-D rendered while being Web-based?  You can catch the attention of users browsing through iTunes or Amazon -- the main ways to purchase music these days -- with intensely visual artwork if you know how to do it. When you release songs as teasers online, the accompanying assets (video, graphical, flash, audio) are easily shared and passed along by fans.

Remixes and expanded versions are eaten up by online users, and interactivity with your art further increases viral consumption.  You used to make a mix and give it to your friends; now you can pass music along directly  -- and with the right tools, you can keep track of that virality!

With sites and services like Pandora and Spotify, music discovery has never been as easy as it is now. You can discover and try out new music before you buy.  It's also easy to unearth rarities and classics from long-forgotten artists, allowing them to reach an altogether new audience. And don't even forget the ease with which users create content in which they can easily integrate music.  That music becomes exposed to a new audience, and new fans are born!

Your browser and social media are the best record store you could ever hope for.  Your friends are the new record store clerks, and these services are a revenue stream that never existed before.  I know the margins may not be as high as they were, but as the famous words go: "fat, drunk and stupid is no way to go through life, son." The labels were fat, drunk and stupid and now they're paying the price, but the artists are in far more control now than they ever were before.

Which brings me to the last point: the resurrection of artistry.  Some of the new albums from The Gaslight Anthem, The National and Arcade Fire are making me feel good about music again.  Even pop albums from Katy Perry and a host of other artists make me feel there is creativity back in the business.  So jump back in feet first, and see what you think.  Support the artists who are doing it right, and let's watch what happens!

8 comments about "Why The Music industry Is NOT Dead ".
Check to receive email when comments are posted.
  1. Rick Mulholland from Novell Design Studio, August 11, 2010 at 11:29 a.m.

    There are many channels out there to help discover music. But they are not as easy to access as say MTV, VH-1 or a local radio station was many years ago. And remember, a major market would have more than one station playing mainstream music, so the music loving audience could be exposed to what was out there over a short period of time with a variety of channels. Even music magazines were more abundant years ago. Sure, there are a lot of websites devoted to new music, and You Tube, iTunes, etc. But an act’s potential audience at times has to dig to find them, and the attention span of the Playstation generation just does not allow that to happen. A song became popular because it was prominently featured on MTV, in publications, and on multiple major market radio stations. Plus acts toured, often starting at the club level, or opening up for someone more popular. Even touring is not viable for many. Tools are there, but easy and guaranteed exposure to the audience is not.

  2. Corey Kronengold from NYIAX, August 11, 2010 at 11:37 a.m.

    As a defector from the music industry 10 years ago, I'm glad to see other people reminding us that the "music industry" is alive and well, even if the "record business" is in the tank.

    The labels themselves would also be in a significantly better situation if they hadn't owned the distribution channels as well as the product they created.

    The only issue I'd raise w your piece is that digital means poorer sound quality. Thats another misnomer based on how people were stealing music, and how they continue to consume it.

    The record industry would have been better off had they simply told all those Napster and Limewire users that what they were stealing was crap. A 96 kpbs download does sound like crap, and they were happy to sell you a high quality, full sounding experience on a CD. But alas, they missed that opportunity.

    Today, though, digital music sounds better than ever. With lossless formats like FLAC in 16bit and 24bit varieties, and discs available in DVD-A and SACD formats, the music experience is as high a quality as movies on DVD in surround sound. Unfortunately people still listen to low-fidelity (128kpb) mp3s through $5 earphones (sorry all you white corded iPod users) which does sound pretty terrible.

    Downloading an official concert recording in a high def format is nearly as good as being there, and a great souvenir from a night out with your favorite band.

    Viva la Music!!!

  3. Jon-Mikel Bailey from Wood Street, Inc., August 11, 2010 at 11:54 a.m.

    It pleases me to the core that the artists are taking charge and that corporate pop crap is slowly dying the horrible painful death it deserves. But, does this create a new vacuum? Does this create a void where people who used to prefer to have their music spoon-fed to them are left with nothing? We shall see.

  4. Thomas Kurz from EFP, August 11, 2010 at 12:12 p.m.

    I've been preaching this for a few years now...the music scene today is awesome...as good as its been in a real long time!

  5. Dale Brooks from db media, marketing & consulting, August 11, 2010 at 3:05 p.m.

    I heard that daddy-ism a slightly different way: “Fat, stoned, and stupid…”

    I think that would be a better way to describe the music industry in the 70s and 80s. It was rampant. Drugs were practically legal tender. The radio-record biz co-dependence was at its peak.

    It is no wonder taps were blown for both industries:

    “So what if more and more people are dubbing and sharing product...Who cares that people are buying more used music than new CDs…No problem that cumes for music stations are steadily eroding.”

    Everyone was enjoying the show leaving to few too watch the money. The artists took back the art they so freely gave away in the past and the entertainment conglomerates went in other directions for content. Is music better for this coup? IMO absolutely not.

    Retail chains have gone and today radio is having less and less to do with the success of a release.

    Major players in both industries were marginalized. Many were cast to the winds, to fade away into irrelevance, left with little more than good stories to tell. Those of you who were there will remember these words:

    “Bed-sitter people look back and lament,
    Another day’s useless energy spent”

    Cory, I agree with your assessment of music consumption today. It is wonderful and fun and far less expensive. However, much less product is being recorded and many fewer artists are receiving mass exposure. I’m not sure that is a harbinger of good things ahead for the music industry.

  6. Brian Peterson, August 12, 2010 at 1:10 p.m.

    Music is far from dead as I can attest. I run a company called Bandbox that helps thousands of artists, whether you're Taylor Swift or the kid next door who recorded something in his basement, sell their music online. Fans are buying, artists are making music, it just looks different than it did 5-10 years ago.

    More info on Bandbox at http://www.bandbox.com

    Also, here's a great resource for artists asking the question "How Do I Sell My Music Online"

    http://www.howtosellyourmusiconline.com

  7. Jean Renard from TRM Inc., August 12, 2010 at 3:25 p.m.

    It is a mistake to confuse creativity with a business model. The majority of the sales are still going to artists in the "major" pipelines. That local bands can justify their continued participation in the industry has always been the case, but the ability to actual make money is still a challenge.
    The piracy issue is still a profit margin killer and the myth that touring is where bands can make money is just that. Venues are either pay to play which allows the most awful talent on stage as long as they can sell their allotment of tickets, or controlled by large conglomerates, independent festivals are a powerful force, but like Burning man or EDC they are genre specific.
    Loads of new companies are popping up like bandcamp, topspin, nimbit and the like, but analytics will not turn a lousy band into Radiohead, and Radiohead does not need them nearly as much as we'd like to think.

    What needs to happen is managers must work together with each other and create branded entertainment that can tour and mutually promote, the power is with the acts if they can all get together, otherwise the myth that NIN did it on their own will continue to infuse these discussions and blind us to the reality that the majors made that act and without the millions of dollars in tour support and promotion, Trent would not have succeeded despite being a super sharp guy.

    Bottom line it is still a tough road to make a good record for an unfunded yet brilliant act, pro-tools is not free and the plugs ins are not either, for an indie act to have all of their work on spotify eliminates sales and it is again a myth to think that popularity automatically converts to money. Music is an art form, pushed into a product pipeline by economic necessity. It is not an easy fit.

  8. Michael Strassman from Similarweb, August 18, 2010 at 4:05 p.m.

    I agree there's plenty more oppty out there for artists, but it's hardly a musical utopia. The listening experience is lousy, with compressed music files and everyone listening to it on cheap headphones...you simply don't get the scale, detail, and emotional impact of music under these conditions, to say nothing of the fact that people are more apt to treat music as background aural wallpaper than sit down and listen to a (gasp) album. Also, all this talk about the potential of the online media to deliver a multi-media experience is based on the same flawed and artistically compromised reasoning that gave us music videos. We are talking about musicians here, not graphic artists or video directors, and demanding that they come up with some multi-media experience is another way of saying you don't care enough about the music. The web may have freed artists from industry shackles, but it's been as destructive to music appreciation and conoisseurship (sp?) as it has been liberating.

Next story loading loading..