In 2013, the average number of TV channels in a typical U.S. home
was just over 189. This was up nearly 50% over the
average of 129 channels five years earlier, in 2008.
But here’s the kicker: We still view on average just 17.5 of those channels -- or 9% of the total pool. This number was a nearly
identical 17.3 channels in 2008, according to Nielsen data. Meanwhile, lots of other research shows we are watching more TV, as well as using and engaging with other media.
Pay TV
providers love to tell us how they are giving us more choice. That’s the good news. The trade-off? We should pay more for all that choice.
What does the average number of channels
watched mean in terms of future channel desires? The jury is out.
Nielsen doesn’t say, for example, whether the 17 channels the typical home was watching in 2013 are the same 17
channels they were watching in 2008
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Proponents of a la carte programming delivery would say this kind of research proves their point: We should only pay for the channels we watch.
But
pay TV providers and content producers continue to argue this would mean less choice -- because many networks wouldn’t be able to survive once they lost the scale and reach needed to
sell national advertising time.
Pay TV pricing can be $100-125 per month on average for many homes. There is little doubt these numbers will continue to climb. Consumers have probably seen
double-digit percentage growth in monthly TV bills over the last five years -- all because of increased channel choices.
Does it matter if the 60 additional channels since 2008 are new,
unproven efforts? Some -- like Esquire Network, Fox Sports 1 and The Hub -- come from previously established cable networks with big distribution bases. Still, newer niche channels don’t
hit the ground running with big nationwide viewership.
Cable’s audience continues to grow -- but virtually all the growth comes from mid-level to small networks. Established, top-ten
cable networks now have the same audience erosion problems as the broadcast networks.
If the 17 channels we watch today are not the ones we watched five years ago, then perhaps we should look
forward another five years: We won’t want the same 17 we watch now in 2018.