Roughly 102 million viewers made the Kansas City Chiefs’ come-from-behind victory over the San Francisco 49ers a generational milestone. The game earned its place in broadcast history as the
11th most-watched U.S. television event, trailing just nine previous Super Bowls and 1983’s "
M*A*S*H" finale.
For firms willing to shell out $5.6 million for
30-second slots of Super Bowl LIV airtime, the stakes were quite staggering.
Inevitably, “going all in” has become obligatory. Nowadays viewers are accustomed to commercial breaks
that are provocative or at least as entertaining as the game itself. Likewise, every Super Bowl telecast prompts me to reflect on my doctoral dissertation, which examined how verisimilitude and
connectivity are elements of consumer persuasion in what I call "drama ads.”
Derived from the Latin, verisimilitude is “the appearance of being true or real.” If
verisimilitude is achieved, then the viewer is willing to suspend disbelief and buy into the mini play. By design, a 30-second, 45-second or minute-long mini play or drama ad is not explicit about
product use. Instead, it enables viewers to draw inferences and share their own conclusions about the brand.
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These novel mini-stories generally fall into two major categories: those that
entertain and those that inspire. Regarding the former, Bud Light Seltzer’s #PostyBar and #PostyStore ads excelled among the Super Bowl 54 spots. The pair delivered story arc, memorable
characters and emotion.
Both take the viewer inside the mind of musician/tattoo artist Post Malone’s character. In #PostyBar, Post orders a Mango Seltzer at a bar, and different
parts of his body -- taste buds, stomach, and his spleen -- come to life as humorous and distinctive characters. They engage in frenetic teamwork inside Post to determine whether he likes the new
seltzer flavors.
All the necessary verisimilitude guideposts stand out: actor traits (facial tattoos), actor interactions (gestures), dialogue (“Bud Light made a seltzer?”),
delivery (e.g., dialect) and setting (location). These aspects are further relatable across demographics and age groups even though the star of the spot, Post, is less likely to be recognized outside
of Generation Z.
This lends credence to the idea that a well-crafted drama spot can trump an ad rife with A-list celebrities. Yes, featuring a celebrity can be a shortcut of sorts to capture
the viewer’s attention, but it does not guarantee that your brand essence comes across.
In terms of inspiring drama ads, think back to Audi's 2017 "Daughter" and its glimpse of the future -- about equal opportunity irrespective of one's gender as portrayed between a father and daughter.
However, this commercial and other Super Bowl spots of late which aim to inspire, also risk being polarizing and negatively linked with social, even political, posturing.
Yet whether the
intent is entertainment or inspiration, verisimilitude must be present. During the Super Bowl, brands must captivate at a minimum -- enough to spark ensuing conversation on social media.