
Much has been made of the rise of digital-first media companies
-- Netflix, Apple, and Amazon (MGM) -- when it comes to theatrical release of movies.
But there has definitely been some adjustment.
Two years ago, Apple had been planning to spend $1
billion annually. But the likes of “Killers of the Flower Moon,” “Napoleon” and “Argylle” didn’t do that well -- and it pulled back.
Instead, it
recently went for a more targeted approach: highly touted, revolutionary camera work coming from “F1: The Movie” was very successful in its opening weekend and now globally, hitting
around $603 million -- $185 million domestically, $417 million internationally.
Now, Netflix is making inroads -- of a different kind. “KPop Demon Hunters,” which has been airing
on its streaming platform since June, just won its opening weekend as a theatrical release.
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True, it was a modest $18 million to $20 million in North American box-office results and over $100
million globally so far, according to analysts. But it does speak to where Netflix wants to go -- looking to extend its brand appeal in another media direction.
Netflix was strategic in its
mid-to-late August timing -- a slowing period for theatrical movie summer business. The big streamer found a scheduling seam to appeal to nervous movie theater group executives, who are increasingly
feeling a bit of pressure from streamers.
AMC Theaters, the biggest U.S. theater chain, has a firm policy over movie first-run appearances. If a movie title has already appeared on a streamer
or other distribution platform, it isn't first-run for movie theaters. And that means it won’t show the film.
But consider the bigger picture of this summer moviegoing period so far.
Studio executives were expecting at least a $4 billion period, which equates to a strong, successful consumer marketplace. It would have been only the second time since the pandemic that the industry
has ascended to that level.
It turns out that with a slowing business, with only a week to go, the summer box-office estimate is now at $3.5 billion, according to Comscore. This affects movie studios and movie theaters
alike.
In reference to another disappointing year for theatrical movies overall, theaters may now regret not taking a modest performer from Netflix.
On the other hand, those who did
now believed they made the right call -- even as they are still looking over their shoulder at their steadily transitioning business.