The frequency of branded entertainment on TV apparently has a promising future. "It's as far as the viewer will allow you to go," said Linda Yaccarino, executive vice president and
general manager of Turner Entertainment Advertising Sales and Marketing, speaking at a branded entertainment panel at MediaPost's Outfront conference last week in New York. "Viewers have a
certain level of tolerance."
She says such acceptance applies to any new brand entertainment efforts Turner puts on its networks, including on-screen lower promotional messages, such
as one for TBS' "The Bill Engvall Show," sponsored by Miracle Whip. These messages run during TBS shows.
Indeed, findings from IAG Research, which is used by media companies
to measure branded-entertainment effectiveness, indicate there is little to no negative feedback when it comes to branded-entertainment efforts.
No wonder that some companies want to
raise the bar. Bravo, for example, wants to take up 20% of the TV screen with something it calls the "L Bar." Placing marketers' information on the bottom and the side of the
screen--thus making an L--Bravo hopes to expand what it can offer advertisers.
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"We're an advertising network--we are not a pay TV service," says Kevin McAuliffe, senior vice
president of the branded-entertainment group for NBC Universal Television Group. But it isn't just advertising. "There is going to be a content play here. There is going to be a
balance."
Bravo is not the first network to alter the screen; sports channels have been adding marketing content to TV screens for some time. ESPN's "SportsCenter," for
example, runs content and marketing on the sides of its screen.
One would think there are limitations, but it depends on a viewers' involvement with a show. "The passionate fan of
any show can't get enough," says Bill Morningstar, executive vice president of advertising sales for the CW, who has worked on a host of new initiatives.
NBC's McAuliffe is
honest to call branded entertainment what it is. "Brand entertainment is a disruptive technology," he says, one that brings no end of potential ideas. "We don't have enough time to
have all the conversations."
"At some point, it becomes all clutter," warns Laura Caraccioli-Davis, executive vice president and entertainment director for Starcom USA.
"We have to be really careful."
Major differences exist for branded entertainment with different media platforms. Cable networks do seem to do more deals. "They are more
apt to shill their shows, says Caraccioli-Davis. "Maybe cable networks are not all that protective of [their programs]."
Standard measuring tools for branded deals? Calculating
effectiveness of branded entertainment is still examined on a marketer-by-marketer basis.
"No two deals are alike," says Morningstar. "We treat our shows like the marketers
do--as brands. What we are looking for is whether there is a natural connection."