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by Dave Morgan
, Featured Contributor,
October 30, 2015
It’s now pretty clear that a lot of digital video ad deliveries over the past few years were of suspect quality. That’s not news to anyone in this industry. Most analysts are estimating
that at least one-third of digital video ads bought over the past two years were un-viewable, fraudulent or the product of robotic traffic.
Many folks are asking how this could have
happened. To me, who lives and works in New York City and who has been part of the digital ad industry since it was born in the early ‘90s, it all seems pretty straightforward. What happened in
the digital video market isn’t much different from the $50 Rolexes sold on Canal Street.
Rolex watches are famous and expensive, with real and imagined qualities desirable to many in the
world. Many people want them. But many of the people who want them aren’t really prepared to pay the going rate for a real Rolex.
Premium digital video advertising placements are like
Rolex watches. They are much talked about. They are expensive. They have real and imagined qualities desirable to many advertisers. However, there is a very limited supply of real premium digital
video ad placements. And, just like aspiring Rolex owners, many advertisers who want premium digital video advertising aren’t really prepared to pay the going rate for those placements. Buying
video ads on sites like NYTimes.com or ESPN.com or BusinessInsider.com is expensive.
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So, just like the person who has a friend visiting New York City and gives them money to find a
“bargain” Rolex on Canal Street, these advertisers pay their agents to buy “bargain” premium video for them. Unfortunately, unlike the person with a bargain
“Rolex,” it seems many of these advertisers actually believed that there was such a thing as “bargain” premium video placements at TV-like scale.
How did that happen?
Well, I grew up in a small coal town in the mountains of western Pennsylvania, so I feel like I can figure that out, too. Many advertisers are naïve. They want to believe in the free lunch (and a
lot of other stuff, much of which appears to come “free”). They don’t understand the big city. They don’t want to tell their bosses what their bosses don’t want to hear.
Incredibly, many of them do believe that they can actually get more for less without making big investments to get it (such as in talent, technology, or data, for example).
Unfortunately, so
many of them were chasing – and blinded by – the bright shiny object of being the coolest buyer in their town of social-linked, mobile-first, digital video ads, that they only started to
learn what they’d really gotten well after the fact.
Were these advertisers naïve or negligent relative to the fraudulent, un-viewable and robotic video inventory that they have
been buying over the past few years? Of course they were. Have their agents done their job to help save advertisers clients from themselves? Of course they haven’t. Too many of the agents had
co-mingled economics with the purveyors of the tainted inventory.
Who will be the big losers here? All in the industry lose to a degree. Trust in the ad industry and trust among industry
participants have been irreparably harmed. Digital video intermediaries will lose even more because they were facilitators. Agents will lose because they caved in to their clients’ unreasonable
demands and ended up too close to the purveyors of the fake Rolexes.
Who will win? Marketers will. It took issues of fraud, viewability and robots to shake them out of their media passivity. I
believe that many of them will be much more directly involved in their advertising in the future.
Also, TV advertising will win in spite of its “legacy” media perception, since it
delivers real viewership at real scale with real impact. And just maybe, people might dig a little deeper in the future to understand what is truly going on when they hear senior industry executives
proclaim that they’re going to shift massive amounts of their TV budgets to digital — when everyone that really knows the numbers, knows that there aren’t enough real Rolexes (or
real premium digital video placements) at appropriate price points to consume that spend.
What do you think? Are our industry’s $50 digital video Rolex days behind it?