Tell me, does anyone else have a problem with this recent statement by HBO CEO Richard Plepler: “I am trying to build addicts -- and I want people addicted to something every week"?
I read this in a MediaPost column about a month ago. At the time, I filed it away as something vaguely troubling. I just checked and found no one else had commented on it. Nothing. We all collectively yawned as we checked out the next series to binge watch. That’s just what we do now.
When did enabling addiction become a goal worth shooting for? What made the head of a major entertainment corporation think it was OK to use a term that is defined as “persistent, compulsive use of a substance known to the user to be harmful” to describe a strategic aspiration? And, most troubling of all, when did we all collectively decide that that was OK?
Am I overreacting? Is bulk consuming an entire season’s worth of "Game of Thrones" or "Big Little Lies" over a 48-hour period harmless?
Speaking personally, when I emerge from my big-screen basement cave after watching more than two episodes of anything in a row, I feel like crap. And there’s growing evidence that I’m not alone. I truly believe this is not a healthy direction for us.
But my point here is not to debate the pros and cons of binge watching. My point is that Plepler’s statement didn’t cause any type of adverse reaction. We just accepted it. And that may because of something called the Overton Window.
The Overton Window was named after Joseph Overton, who developed the concept at a libertarian think tank -- the Mackinac Center for Public Policy -- in the mid-1990s.
Typically, the term is used to talk about the range of policies acceptable to the public in the world of politics. In the middle of the window lies current policy. Moving out from the center in both directions (right and left) are the degrees of diminishing acceptability. In order, these are: Popular, Sensible, Acceptable, Radical and Unthinkable.
The window can move, with ideas that were once unthinkable eventually becoming acceptable or even popular due to the shifting threshold of public acceptance. The concept, which has roots going back over 150 years, has again bubbled to the top of our consciousness thanks to Trumpian politics, which make "extreme things look normal," according to a post on Vox.
Political strategists have embraced and leveraged the concept to try to bring their own agendas within the ever-moving window. Because here’s the interesting thing about the Overton Window: If you want to move it substantially, the fastest way to do it is to float something outrageous to the public and ask them to consider it. Once you’ve set a frame of consideration towards the outliers, it tends to move the window substantially in that direction, bringing everything less extreme suddenly within the bounds of the window.
This has turned The Overton Window into a political strategic tug of war, with the right and left battling to shift the window by increasingly moving to the extremes.
What's most intriguing about the Overton Window is how it reinforces the idea that much of our social sensibility is relative rather than absolute. Our worldview is shaped not only by what we believe, but what we believe others will find acceptable. Our perspective is constantly being framed relative to societal norms.
Perhaps -- just perhaps -- the CEO of HBO can now use the word “addict” when talking about entertainment because our perspective has been shifted toward an outlying idea that compulsive consumption is OK, or even desirable.
But I have to call bullshit on that. I don’t believe it’s OK. It’s not something we as an industry -- whether that industry is marketing or entertainment -- should be endorsing. It’s not ennobling us; it’s enabling us.
There's a reason why the word “addict” has a negative connotation. If our “window” of acceptability has shifted to the point where we just blithely accept these types of statements and move on, perhaps it’s time to shift the window in the opposite direction.