Trying To Make Sense Of Golden Globes Civil Rights Rally

If the emphasis at Sunday night's Golden Globes on NBC was on worthy causes such as blowing the whistle on sex harassment and advocating for gender pay equality, then why did I find it so difficult to sit through?

Maybe it's the same old problem I have whenever these movie and TV awards shows devolve into a platform for the rich and fabulous to complain about life's unfairness.

I have no doubt that the speeches were well-meaning, in the sense that the sentiments expressed were sincere -- at least mostly.

But my cynical side -- which has been developed over more than three decades of interaction with the show business publicity apparatus -- has me thinking that the preponderance of #MeToo and #TimesUp speeches at the Golden Globes had something to do, at least in part, with everybody making their best effort to adhere to the evening's prevailing narrative or risk negative consequences later on social media.



In other words, it wasn't enough for the winners to just graciously thank the Hollywood Foreign Press Association and their colleagues and co-stars for making this award possible.

Instead, the vast majority of the acceptance speeches went from mere thank yous to orations about civil rights, as if Nicole Kidman and Reese Witherspoon were now to be considered on par with Rosa Parks.

Meanwhile, I'm watching this awards show and I am thinking: Women fighting back against sexual harassers -- and worse, sexual attackers -- is all fine and good.

But at the same time, these people at the Golden Globes are all participants in an industry in which much of what is produced celebrates anti-social behaviors, including the objectification of women by men.

So when I see these stars getting on their high horses about the behavior of some of their industry colleagues (behavior which was known about for years in many cases), I usually have a “what is wrong with this picture?” reaction.

For example, at least some of the Golden Globe nominees and winners were honored for work that was grotesque.

Ewan McGregor's win for Best Actor in a TV Drama (Limited Series) for “Fargo” was a case in point. The show's third season, in which McGregor played two brothers, was a meaningless exercise in straight-up bloodletting that celebrated violence. It was an ugly show in many ways -- which in Hollywood translates into top honors at awards time.

Hollywood celebrities are so blasé about the violence and antisocial behavior they depict in their TV shows that it's common to hear them discuss how “dark” their shows are, as if this is something to be admired.

Jessica Biel did this in one of the pre-Golden Globe, red carpet interviews I caught before the awards show Sunday night.

She was nominated for her USA Network series called “The Sinner.” On the red carpet, she talked blithely about how interesting it was to play such as “dark” character -- in her case, a woman who for no visible reason suddenly went berserk on a well-populated beach in the middle of a day and repeatedly stabbed some poor unsuspecting soul to death.

For this “entertainment,” she was nominated for a Golden Globe award. I don't mean to pick on Jessica Biel. She seems like a nice young woman.

But it sometimes comes across as sanctimonious when show business types preach to the rest of us about society's shortcomings when the industries -- movies, TV and music -- that they are in profit from these very same flaws.

On the other hand, Hollywood does sometimes come through with well-meaning productions that break through the asinine violence and sexism that characterizes so much Hollywood product -- a movie such as 2013's “Ten Years a Slave,” just to name one.

For example, having seen “Lady Bird” just recently, it was gratifying to see such a great movie -- one that depicts contemporary life so accurately, warts and all -- win two key Golden Globe awards (although its inclusion in the “comedy movie” category defied logic).

At the same time, “Three Billboards Outside Ebbing, Missouri” won four Golden Globes for its story about an angry mother who turns to violent crime herself when she perceives that the local police department isn't doing enough to solve the murder of her teenage daughter.

In the movie, the woman torches the police department and severely burns one of the police officers (a guy whose behavior was so bad throughout the movie that you are supposed to think he deserved it).

Frances McDormand won a Golden Globe for playing the angry woman. Sam Rockwell won one for playing the bad cop she burned. Maybe that represents balance in Hollywood.

On Monday morning, NBC put out a press release reporting that more than 19 million people watched the Golden Globes. And there was certainly ample chatter about it on social media that may have reached a crescendo with Oprah Winfrey's speech about civil and human rights after she was awarded the Hollywood Foreign Press Association's Cecil B. DeMille Award for lifetime achievement (photo above).

From a programming and ratings standpoint, this three-hour awards show and protest rally was a huge success -- notwithstanding the ravings of a TV critic on the morning after.

8 comments about "Trying To Make Sense Of Golden Globes Civil Rights Rally".
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  1. Douglas Ferguson from College of Charleston, January 9, 2018 at 11:32 a.m.

    We live in a world where hitting the like button feels better than actually doing anything. 

  2. Gordon Borrell from Borrell Associates, January 9, 2018 at 12:13 p.m.

    Well said, Adam. I kept waiting for someone to muster the courage to say, "We've contributed to this type of behavior by being a part of the entertainment industry, and for my role in that process, I am truly sorry."

  3. William Graff from beIN Media Group, January 9, 2018 at 4:35 p.m.

    “Three Billboards Outside Ebbing, Missouri has just opened, or has yet to open in much of the country. WHy didn't the aithor or editor of this piece post "spoiler alert" before revealing the end of the movie?

  4. Rick Thomas from MediaRich Marketing, January 9, 2018 at 4:40 p.m.

    If focusing on such an issue keeps people who molest and assault women AND men AND children from EVER getting back in to the entertainment business or running for political office again then God bless the Globes.  

    To be cynical about any of this is why we have a President Trump.

  5. John Grono from GAP Research, January 9, 2018 at 5:12 p.m.

    it seems that someone is having trouble separating fiction (a movie) and fact (the act of sexual harassment).

  6. Paula Lynn from Who Else Unlimited, January 9, 2018 at 7:38 p.m.

    Frances McDormand always plays an angry woman. Last time when she lost, she played the angry woman....The Foreign Press always has foreign tastes and usually off balance.....Do you really think the people who judge have the time to watch and analyze ALL the content on ALL outlets (not even you can) regardless of worthiness (whatever and whoever deemed any entertainment such) ?

  7. Patricia Friedlander from Word-Up!, January 9, 2018 at 11:18 p.m.

    Frankly, instead of making a big deal about showing up in devastatingly pricey black dresses, I would love for the entertainment industry to call out NBC for paying Savanna and Hoda combined salaries that are less than the salary they gave to sleazy Matt Lauer. I would have much more respect for that kind of risk-taking speaking out. Black Armani Privee is not social action. Hey--The Today Show's ratings are going up and they're saving a big chunk.

  8. Paula Lynn from Who Else Unlimited replied, January 10, 2018 at 6:14 p.m.

    The questions should be is Hoda being paid for a first year host a comparable (increase for inflation) income that Lauer was paid when he was a first year host ? 

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