It was interesting watching my family watch the Oscars Sunday night. Given that I’m the father of two Millennials, who have paired with their own respective Millennials, you can bet that it was
a multiscreen affair. But to be fair, they weren’t the only ones splitting their attention among the TV and various mobile devices. I was also screen-hopping.
As fellow Spinner Dave
Morgan pointed out last week, media usage no longer equates
to media opportunity, because the nature of our engagement has changed significantly in the last decade. Unfortunately, our ad models have been unable to keep up. What is interesting is the way our
consumption has evolved. Not surprisingly, technology is allowing entertainment consumption to evolve back to its roots. We are watching our various content streams in much the same way that we
interact with our world. We are consuming in context.
The old way of watching TV was very linear in nature. It was also divorced from context. We suspended engagement with our worlds so that
we could focus on the flickering screen in front of us. This, of course, allowed advertisers to buy our attention in little 30-second blocks. It was the classic bait-and-switch technique: get our
attention with something we care about, and then slip in something the advertiser cares about.
The reason we were willing to suspend engagement with the world was that there was nothing in
that world that was relevant to our current task at hand. If we were watching "Three’s Company," or the moon landing, or a streaker run behind David Niven at the 1974 Oscar ceremony, there was nothing in our everyday world that related to any of those TV events. Nothing competed for the spotlight of
our attention. We had no choice but to keep watching the TV to see what happened next.
But imagine if a nude man suddenly appeared behind Matthew McConaughey at the 2015 Oscars. We would
immediately want to know more about the context of what just happened. Who was it? Why did it happen? What’s the backstory? The difference is that now we have channels at our disposal to try to
find answers to those questions. Our world now includes an extended digital nervous system that allows us to gain context for the things that happen on our TV screens. And because TV no longer
has exclusive control of our attention, we switch to the channel that is the best bet to find the answers we seek.
That’s how humans operate. Our lives are a constant quest to fill gaps
in our knowledge -- and by doing so, make sense of the world around us. When we become aware of one of these gaps, we immediate scan our environment to find cues of where we might find answers. Then
our senses become focused on the most promising cues. A single-minded focus on one particular cue, especially one over which we have no control, is not something we evolved to do. The way
we watched TV in the '60s and '70s was not natural. It was something we did because we
had no option.
Our current mode of splitting attention across several screens is much closer to how humans naturally operate. We continually scan our environment, which, in this case, included
various electronic interfaces to the extended virtual world, for things of interest to us. When we find one, our natural need to make sense sends us on a quest for context. The diligence of our quest
for that context will depend on the degree of our engagement with the task at hand. If it's slight, we’ll soon move on to the next thing. If it’s deep, we’ll dig further.
On
Sunday night, the Hotchkiss family's quest for context continually skipped around, looking for what other movies J.K. Simmons had acted in, watching the trailer for "Whiplash," reliving the infamous
Adele Dazeem moment from last year, and finding out just how old
Benedict Cumberbatch is (I have two daughters who are hopelessly in love with the 38-year-old, much to the chagrin of their boyfriends). As much as the advertisers on the 87th Oscars
might wish otherwise, all of this was perfectly natural. Technology has finally evolved to give our brain choices in our consumption.