When it comes to the immediacy of entertainment, theatrical movies may be in the worst position of any content segment. It’s a real-time problem.
Speaking at the
Goldman Sachs media conference in New York this week, Lachlan Murdoch, executive chairman of 21st Century Fox, said “you spend way too much in making the film in the first place,
and then you spend tens and tens of millions of dollars marketing that film.”
“[Then] you go to a 45-day theatrical window, and then there's a blackout for another 45 days,
where the consumer can’t access that content anywhere, no matter what they're willing to pay or do.”
Finally, he says, the movie comes to TV screens. Murdoch says the journey needs
to change. Movies need to get to home viewing sooner.
But to achieve this goal,
movie studios still need to go through local theater owners, who have been reluctant to help. What’s in it for them? Movie studios may want changes, but they don’t want to lose their major
distribution system.
advertisement
advertisement
One idea that has been floated seems to allow theater owners to share some of the new money from future home digital viewing of theatrical movies.
The idea may be
akin to how TV-movie studios work with TV stations, when it comes to programming on new digital platforms. Local TV network affiliates might either sell digital ad time or receive an ad share of those
digital platforms for their network affiliation.
However, this move doesn’t deliver big bucks for TV stations. And that might explain why movie theater owners are reluctant to adopt this
option. Once they agree to a comprehensive deal with movie studios to alter theatrical windows, the whole exhibitor-studio infrastructure could drastically change.
Murdoch isn’t the
first major TV-movie executive to moan about this. (His brother, James Murdoch, did the same a year ago.)
Other executives have complained as well.
What will fuel an agreement? Perhaps
a few more eye-opening theatrical moviegoing periods going south. This past summer’s shocking 16% decline in box-office revs was, for many, their own internal disaster movie.