Here’s a new number to ponder over connected-to-premium TV scripted content: $100 billion a year.
The sum comes from David
Nevins, now Chief Creative Officer, CBS Corp. It is the collective cost traditional and new media companies could spend in total in the next year on big TV and movie content.
All of which
gives some media company executives pause. “How do you get a return on that?” asks Greg Maffei, president-CEO, Liberty
Media, on CNBC.
Some projections are Netflix will spend $12 billion next year, up from $8 billion this year. But that isn’t the real news. Amazon, which has tons of cash, could soon move
past Netflix content spending.
Right now, there’s about $85 billion a year being spent on TV-movie content, going to $100 million in two years, says Nevins -- 70% being spent by
traditional TV companies; 30% from new digital/technology companies.
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Add in WarnerMedia, NBCUniversal and Walt Disney spend, around $10 billion each. You can quickly see where this is
going.
And that’s not all. Apple is looking to find singular content to fill over 1 billion of its high-priced mobile phone, tablet, and laptop devices.
Of course, premium
TV/movie content doesn’t live in a vacuum. It competes with other stuff -- non-scripted content, social media and video games.
So why spend so much money on original premium content? In
part, to fuel new digital platforms, in particular, new brand-centric OTT app-platforms to gain some direct-to-consumer independence from third-party pay TV network distributors, like cable,
satellite and telco companies.
For many, there is some irony here: This goes against the still-current TV ecosystem perception of ‘aggregation’ of TV and/or movie content. Maybe
media consolidation will be working in another way.
From Maffei’s perspective, the only hope is the rising growth of supposedly great, must-have, can’t-wait-to-see TV shows, which
will command higher pricing from consumers.
Traditional “cord-cutters” -- and even regular card-carrying pay TV consumers -- continue to say otherwise. Content under a
supply-and-demand economic metric should win the day, which, in turn, means a $100 billion boat of content money will be a tough number to keep afloat.