Writing jobs in TV are about nearly half as plentiful as the previous year, according to the Writer’s Guild of America. What does that mean to barely profitable streamers -- perhaps in a much tougher economy ahead?
Of the 1,319 total writing jobs lost from the year before (2022-23), 642 were co-executive producers or above. A co-executive producer may do some writing, but that person oversees a lot more -- managing budgeting, scheduling, as well as creative decisions and overseeing day-to-day operations. And yes -- script development.
Major TV/movie studios continue to find ways to trim -- as any business operations might. In a TV world where there is a perception of ever more new original programming we are left to wonder -- is the quality still there?
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So-called "peak TV" is a term that defines major original, premium TV shows -- everything from broadcast and cable TV scripted content to shows on premium streaming platforms, both small and large.
This might make more sense -- vis a vis fewer writers -- when it comes to the overall number of scripted TV shows.
In 2024, the U.S. saw a drop in scripted TV shows, with the number of scripted series falling by 24% to 481, according to a study by Ampere Analysis.
In that year, the 2023-24 season also saw 21 scripted series that are part of a franchise on broadcast networks.
Does that mean consumers -- especially streaming consumers -- are getting less for their money?
Well, consider all the focus about "churn" -- the volatility of cancelling and then signing back on to a service only when a new season of their favorite shows returns.
If there are fewer original TV shows, perhaps those churn numbers -- especially in a probable recession, according to many economists -- could rise.
And that’s a story that could write itself.
so what did the strikes accomplish then?