With Netflix is set to report its
much-anticipated fourth-quarter results after today’s market close, most analysts appear to be expecting the world’s largest streamer to meet or exceed its projection of adding 6 million
subscriptions globally — although most also expect its growth to slow in 2021, particularly in relation to the surge during 2020’s early COVID months.
Macquarie Securities analyst
Tim Nollen, for instance, is projecting total 2021 net subscription additions of 26.7 million (including 2.2 million U.S.), or 13% growth for the year. If Amazon hits its 6 million Q4 target, it will
have added 34 million subs in 2020, representing 20% growth.
Meanwhile, new Kantar research indicates that while Netflix’s overall subscriber retention remains strong, competition from
major new subscription video-on-demand services wasn't the only factor contributing to the leader’s decline in U.S. share of new SVOD subscribers over the course of 2020.
Netflix’s
share of new paid subscribers declined from 16.2% in Q1 to 14.2% in Q2, to 9.8% in Q3 and just 7.4% in Q4, per data from Kantar’s U.S. Entertainment On Demand service, based on a longitudinal
panel of 20,000 consumers, supplemented by 2,500 new subscriber interviews each quarter.
“While Netflix subscribers remain highly engaged, the content slate and current proposition does
not appear strong enough to drive continued subscriber growth in the presence of multiple, highly competitive service launches,” observes Dominic Sunnebom, senior vice president in the
researcher’s Worldpanel Division.
But Netflix’s price increases in 2020’s fourth quarter was the key reason behind increased levels of planned cancellations. (Netflix kept
its basic plan at $8 per month, but raised its most popular, standard plan by $1 to $14 per month, and its premium plan, $2 to $18 per month.)
But another factor was “continued
blowback” from the service’s September release of “Cuties” — a Sundance award-winning French film that the director said was intended as a condemnation of the
sexualization of children, but which conservative U.S. legislators used as a
political rallying cry.
Nearly one in 10 Netflix cancellations in Q4 resulted either directly from the “Cuties” controversy, or “broader disagreement
with Netflix’s political leanings,” reports Sunnebom. “These reasons impacted potential acquisition opportunities, as well as retention of existing subscribers.”
In
terms of share of new SVOD subs (Kantar didn’t provide actual by-service subscription numbers), Disney+ had the strongest full-year 2020 performance (18.3%), followed closely by Amazon Prime
Video (17%).
But HBO Max, which didn’t launch until the end of May, pulled impressive shares in all three remaining quarters, to end up with 12% at year’s end.
The upswing
in Q4 to 19.2% was particularly notable — and the data suggests that WarnerMedia’s decision to release “Wonder Woman 1984” on Max and in theaters simultaneously was the driver,
says Kantar.
Forty-one percent of new HBO Max subscribers in Q4 cited specific content as their key motivator for signing up — up from 32% in Q3 — with “Wonder Woman
1984” cited as the key title by one in five of the new content-driven subscribers.
Nevertheless, in what may be good news for WarnerMedia from an industry politics standpoint, if perhaps
not from a financial one, the same proportion of HBO Max subscribers went to cinemas in Q4 (15.3%) as in Q3 (15.4%).
Amazon Prime Video “shows little sign of being negatively impacted by
new service launches,” largely thanks to the service being part of its Prime subscription membership.
With online shopping an unprecedented levels, Prime membership saturation levels
rose from 54.5% in Q3 to 56.4% in Q4.
Hulu also performed well for the year overall, with a 13.2% share of new paid subscribers — even slightly outperforming Disney+ in Q4. “Rather
than relying on key headline titles to attract new customers, Hulu is winning through a powerful combination of being perceived as excellent value for money and having a strong variety of TV
series,” says Kantar.
NBC Universal’s Peacock, launched in Q2, continues to make progress in both the ad-supported video-on-demand (AVOD ) and SVOD space, according to the
research. When the free version’s users are stripped out, its share of SVOD subscribers was 4.4% in Q4.
Over a third (35%) of Peacock users are premium subscribers, indicating consumer
demand beyond their no cost option. As would be expected, given the differences in available content in the tiers, users are less likely to advocate for the free version than the paid ones (Net
Promoter Score scores of +7 and +26, respectively).
Upgrade rates from the free to paid tiers are low but “the positive reaction to the paid service provides promise for increasing
customer value in future quarters,” observes Kantar.
Some more general bits of information from the report:
*The average number of VOD subscriptions in U.S. households rose from
3.1 to 3.5 over the course of 2020.
*SVOD subscriptions in the U.S. totaled 233 million at the end of 2020. (The Entertainment on Demand service launched this year, so a comparative number
isn’t available for 2019.)
*29% of new SVOD subscribers identify specific TV show or movie titles as a key factor in their sign-up decision.
*Among TV shows streamed on SVOD, the
top 10 most recommended were “Ozark,” “Tiger King,” “The Mandalorian,” “Schitt’s Creek,” “The Queen’s Gambit,” “The
Crown,” “The Boys,” “Stranger Things” and “Outlander.”