Commentary

Unpacking The Lawsuits Opposing Paramount-WBD Merger

Attorneys general in 12 states think the merger of Paramount and Warner Bros. Discovery will create a monopoly that will dominate TV news, basic cable and movie theaters.

This issue has come up many times before -- the notion that big companies control too much media and, in the process, stifle diverse voices in news and other content, harm consumers by restricting their entertainment choices, and generally possess too much economic power.

“Antitrust enforcement is an essential component of a healthy economy,” says a statement from the office of California Attorney General Rob Bonta released on July 13.

That was the day 12 states joined together as a coalition to oppose the merger. Besides California, they are Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon and Washington.

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“Competitive marketplaces established through antitrust vigilance help consumers by ensuring fair prices for goods and services, an array of products to choose from, quality goods and services, and the steady introduction of innovative new products,” the California AG’s statement says.

TVBlog hereby opposes the points brought up in this statement.

On the subject of fair prices for goods and services: Where consumers are concerned, one assumes this is talking about cable subscriptions that allow consumers to watch all of the basic cable channels this merged entity will own.

But cable subscription prices are set by the companies that run the cable systems, old-fashioned as they may be. 

These entities have long held monopolies in local markets and their rates are sky-high. Maybe somebody ought to sue them.

As for the portfolio of basic cable channels the newly merged company will own, the lawsuit says these properties will control 27% of basic cable.

With the state that basic cable is in now, this commitment to basic cable represents a risk and a liability for the company, not the other way around.

Now, the new company will own a quarter of a business sector of the television business that is sucking wind.

The new company, at the outset at least, will essentially be keeping entertainment choices alive for consumers even though the numbers show consumers are abandoning this great array of choices.

And if the new company decides to shut down some of these money losers, then their 27% share of the market would be reduced based on marketplace realities. Isn’t that what the antitrust AGs want in the first place?

The California statement says the new company’s ownership of so many cable channels will give it unfair leverage in its distribution negotiations with cable and satellite providers.

Maybe. But here again, the marketplace can decide this. It’s a battle between two businesses -- basic cable and local cable systems -- that have both seen better days. They depend on each other, which would seem to give leverage to both. 

Of course, content providers such as basic cable channels can undertake a digital migration to other platforms, which they are doing now.

Cable systems can serve as providers of streaming services, which they are also doing now. Both sectors will innovate or die.

Speaking of which, the state AGs think the Paramount-WBD merger will stifle “the steady introduction of innovative new products.”

This is ridiculous on its face. These companies have long been consistently innovative. They embrace new technologies, devise new forms of content-creation and continually remake aspects of their operations.

Their businesses depend on it. It is difficult to see how this merger will leave consumers with fewer entertainment choices. On the contrary, they will likely have more of them.

The California AG’s press release does not raise the issue of media concentration in news -- the “diversity of voices” issue -- perhaps because that ship has sailed.

Once upon a time, a single company could own only seven TV stations, seven AM radio stations and seven FM radio stations. In 1984, this was revised to 12 of each. Today, all of that stuff is out the window. 

One company, Nexstar, owns 265 TV stations that are collectively estimated to reach 80% of the U.S. Second-place Sinclair Broadcast Group owns 193 stations covering 40%.

In the realm of radio-station ownership, iHeartMedia owns 870 them; Cumulus Media, 404; and Audacy, 227.

As I understand it, and very generally speaking, the old ownership caps eventually fell by the wayside because today media outlets number in the tens of thousands everywhere.

With that in mind, the notion that the mass ownership of media stifled diverse voices has become outmoded, even as some continue to debate it.

At any rate, all of this may turn out to be futile anyway since the merger is now in doubt.

In response to 12 states ganging up on the company, Paramount announced that it is pausing its efforts to complete its merger with WBD until June 1, 2027, while it works its way through 12 lawsuits. 

2 comments about "Unpacking The Lawsuits Opposing Paramount-WBD Merger".
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  1. Joe Mandese from MediaPost Inc., July 29, 2026 at 9:42 a.m.

    I hearby oppose the points brought up in this "TVBlog" column starting with the author's point that the threat to fair pricing is just about cable TV subscriptions. It's not. It's about the concentration of market power for the most premium content supplying all forms of television, streaming and theatrical channels -- and yes, cable TV distribution too.

    While this column focuses only on the state AG suits opposing the merger, there was another suit covered by MediaPost -- the Writers Guild of America's -- which is worth reading to understand the real concentration of media marketplace power that will result from the merger.

    https://www.mediapost.com/publications/article/416527/writers-union-sues-to-block-paramount-wb-merger.html

    The WGA suit reveals that the merged company will control more than a third of all WGA affiliated TV and film content.

    Even during Hollywood's pre-television Golden Years when MGM was the dominant studio, there was far less concentration of market power. There were the "Big 5" studios (MGM, Paramount, 20th Century Fox, Warner Bros. and RKO Radio Pictures) and the lesser "Little 3" (Universal, Columbia and United Artists), but fewer meaningful independent studios.

    The real impact on "fair pricing" won't be on cable TV subscriptions -- which currently account for only about 20% of TV viewing, according to Nielsen -- but on the entire supply chain of TV, streaming and theatrical content... From the front-end of what writers get paid to the back-end of what consumers pay to stream, rent, buy TV/video/movie content.

    And we won't know the exact economic impact of that until years after the Paramount/WBD merger is completed.

    Looking beyond this deal, it will create a legal precedent -- and likely a marketplace impetus -- for further consolidation among other studios in order to compete with a dominant PWBD.

    There are many other fair pricing reasons to oppose this deal, but the most important one opposed by "Red, White & Blog" is the very same one this "TVBlog" column glosses over: the concentration of television news content -- including CNN -- in the hands of a company that has already destroyed much of the integrity of CBS News, and will likely do the same for CNN.

    The only positive thing I can say about Paramount is that they still let "The Daily Show" do its thing, albeit under the banner of news parody. But under Paramount's enhanced reign it could actually live up to its tongue-in-cheek tagline: "The Most Important News Show... Ever!"

    On that note, I highly recommend watching two segments from Monday's telecast, if you haven't seen them already:

    https://youtu.be/ZF_tDPRNV5U?si=XHCHSBWUe1Kos5hG

    https://youtu.be/wJiBtLAzKPs?si=sjzw5MqvG8q-_8NH

  2. Ed Papazian from Media Dynamics Inc, July 29, 2026 at 10:24 a.m.

    Joe, in the past the FCC has taken steps to curb "monopoly control" of the media. Notably this is what obliged RCA to sell its "Blue" radio network and retain only the "Red" network ( NBC ) in the early 1940s.

    Thirty years later the FCC imposed the Prime Time Access Rule on the three dominant broadcast TV networks by  limiting the amount of their prime time fare that affiliates in the top fifty markets could carry by half an hour per evening--except on Sundays. Here, the goal was to free up time for independent programmers to compete--perhaps using advertiser sponsorships to do so.

    Finally, in the late 1980s and early 1990s, the studios created their own prime time networks via independent stations--Fox, AB and UPN. Same goal. To ensure their access to time periods independently of the three dominant TV networks. 

    But now, it seems to me that there are many players who might fund and distribute TV content --Netflix and Amazon plus--maybe--You Tube one day--as examples. Couple these with Paramount/WB, Disney and Comcast and setting aside political issues, aren't there enough possible new show funders to go around even if the Paramount merger is allowed? Of course if the mergers continue and Netflix or Google buys Comcast's TV properties the degree of concentration may again become unsettling. 

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