Americans who love "Downton Abbey" and its penetrating observations on British class conflict are less comfortable with shows that highlight class differences in the U.S. This reflects an enduring American myth that we have a classless society. Would that that were true. America has multiple social classes, and Americans are afflicted with considerable status anxiety.

If Apple's impact on the mobile phone industry is duplicated - even partially - when Apple enters the world of television displays, then cable and broadcast networks, as well as traditional content creators, have reason to be concerned. I'm increasingly convinced that they don't see what's coming.

No network this year has delivered more fascinating original dramatic programs than Sundance Channel, with its recent seven-hour mini-series "Top of the Lake" and next week's new entry "Rectify," its first wholly owned original series. If this keeps up, Sundance is going to find itself in the company of AMC, FX, TNT, USA Network and other basic cable networks that continue to distinguish themselves as providers of some of the most compelling scripted dramas on television.

Josh Rosenzweig, senior vice president of original programming and development at Here TV, started out as a filmmaker and director in California before making the transition to the corporate side of the business. In my interview with him, Josh talks about Here's mission, programming, multiplatform efforts, its audience skew, competitive set (spoiler alert: there isn't any) and the celebration of its tenth anniversary.

No doubt about it, the once-mighty "Idol" has finally begun circling the drain. This leaves Fox in a position of intense vulnerability, especially as the long-time No. 1 network among the prized 18-34 and 18-49 demographic groups. What in the world will Fox do without a super-strong "Idol" -- or without "Idol" at all?

TRA announced that it would begin to license Nielsen data, including it in its media analytics interface. This announcement, made during a breakfast panel at CBS' Paley Center, was part of a bigger discussion of Big Data -- or, as TRA CEO Mark Lieberman says "naturally occurring data" in the media marketplace.

This continues to be a highly educational year for anyone working in or around the television business, especially where programming is concerned. Here are the latest lessons:

If there's anything constant about television these days, it's the constant change. From digital compression a few years ago to today's connected TVs, multi- and cross-platforming, second screens, STBs, OTT and Big Data sets, it's hard to keep pace.

You may have heard that "Mad Men" is returning for season six on April 7. Those of us who have been waiting for this day since the enigmatic end of season five have a few questions on their minds, including:

Next week will bring with it an extraordinary broadcast milestone: on April 1, the 50th anniversary of ABC's "General Hospital." Given all the excitement surrounding this event, it is somewhat sobering to note that just last year ABC seemed ready to cancel this still-vital series. Happily, "GH" survived a real-life cliffhanger that rivals those of classic serials on the radio and at the movies, not to mention prime-time and daytime soap operas themselves, and now here we are, marking a significant broadcast accomplishment at a time when significant broadcast accomplishments are increasingly few and far between.