Commentary

For Advertising To Work, You Have To Notice It

Contextual targeting delivers the right audience for your campaign, but have you thought about contextual creative?  Contextual targeting is great.  Contextual creative is not.

Good advertising must earn the right to speak to its audience.  It has to stand out while also entertaining or informing in some way.  For the audience to give its attention to your message, you have to be noticed.

Contextual creative is when you deliver a message that is too similar to the context where it is being delivered. I would argue contextual creative blends in too much to be truly noticed and effective.  Think about showing an ad for a motorcycle jacket on a page dedicated to motorcycles.  That ad is likely to get lost in the mix.

Now, put an ad for a weed whacker or a lawnmower on that page, and it is likely being delivered to the right audience, but it stands out.  If you make that ad compelling or entertaining, it works -- whereas if it is plain and minimally interesting, it just looks strange on that page. Balance and a creative spark earn the right to tap into the attention of that viewer.

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Contextually targeted ads can be very effective when they do something unexpected. That’s why celebrity marketing works so well:  Celebrities stand out.  Maybe they are aspirational, or maybe they are simply unexpected, or at the least they tap into an emotional connection with the viewer.

Celebrities are one way to stand out.  Others require creative thinking, or thinking differently, about your message.  This is what 2024 will be about -- the year of the creative.

Creative delivery of a message can be entertaining, emotional, informative, or all of the above.  For too long, the digital space has overlooked being creative and instead focused on the media and the context of the message delivery.   We’ve done so because it was easy to prove the value.  Creativity is far more subjective and difficult to judge, but you know good creative when you see it (to paraphrase someone else’s context).

To be honest, we may have done all we can do with media.  It has matured and it is structured and disciplined.  Now we have to get creative.  We must earn the right to speak to our audience, and we have to entertain at least a little bit going forward.

For those of a certain career experience, we can remember things like “Spotting the Web” for “101 Dalmatians” or the full-page takeovers that were the cream of the crop ads on Marketwatch and ESPN.   Creativity became complacent, and especially so when you look at B2B advertising, but that’s a topic for another day.  This year, going forward, we are looking for new ideas that stand out.

So happy new year to each of you.  I hope your New Year’s resolution involves tapping into that “other” part of the brain.  This is a wonderful opportunity to truly stand out.  Cheers to 2024!

1 comment about "For Advertising To Work, You Have To Notice It".
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  1. Ed Papazian from Media Dynamics Inc, January 3, 2024 at 1:04 p.m.

    Cory, I'm surprised to see you knocking "contextual" ad placements as this has long been one of the  targeting cornerstones of TV advertising as well as other media---magazines, radio, OOH media, newspapers, etc. I also believe that it's a major factor in digital media as well. If I understand you, a wine or food or ingredient ad placed in a TV cooking show would blend in with the program content and as a result, not register its message as effectively with viewers. In like manner a pharma ad in a magazine like "Prevention" would also blend in and not resonate as well as might be intended with its readers, etc. Instead, you suggest that the ads need to stand out---thereby grabbing attention---such as the use of well known celebrities as endorsers or spokespersons. Which is fine---providing the celebrity has relevance---and credibiolity as a pitchman for the advertised product and can be had for a ROI-right price.

    I would argue that insinuating one's message in a context where the viewer---or reader---is thinking about the same subject---be it sports cars or enjoying fine wines or being concerned about some particular health issue---is the essence of targeting as it is usually defined. I would  agree that it can be even more effective if some way is found to capture the audience's attention or, even better, to motivate it to buy your product because of an endorsement by someone the audience respects. Either method ---or both in tandem--- makes sense to me.

    Since your orientation is mostly about digital media---my assumption and subject to your correction-----I wonder if you have uncovered any evidence that supports your premise for digital media buys---and if so, would you care to share it or provide a referrence? Just curious.

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