This is an extraordinary example of aerial advertising. MTV used VMA host city New York for a stunt to drive VMA tune-in. Viacom used helicopters to project video onto a 17,500-foot-square screen from the Statue of Liberty to the George Washington Bridge over 1.5 hours. Fans, talent, press and influencers took to social, giving MTV a 1,587% viral lift. Not only did it do the job of promoting VMA singers, the event won a Guinness World Record for largest aerial projection screen. Remarkable!

Credits: Dario Spina – Chief Marketing Officer, Music & Entertainment – Viacom Velocity Chris Ficarra – EVP, Integrated Marketing Music & Entertainment – Viacom Velocity Rachel Havner – Vice President, Integrated Marketing – Viacom Velocity Kevin Falatko – Director, Integrated Marketing – Viacom Velocity Ryan Osbourne - Head of Innovation – Remarkable Media Simon Powell – CEO – Remarkable Media Nikki Leynor - VP of Brand Strategy – Remarkable Media Andrew Horton – Producer – Remarkable Media

La Quinta-Inn-&-Suites partnered with Boingo-Media to launch a DOOH campaign at major airports during March’s National Optimism Month. It used Boingo-Media's Wi-Fi-ad--network to promote its Wake Up On the Bright Side brand. Travelers who watched a 30-second LQ #WinAtBusiness video were rewarded with free Wi-Fi at major U.S. airports. Those on Twitter mentioning "business travel" go a free pass. A brand-study found that there was a 20% boost in brand-lift after the DOOH campaign, with 71%-of-people said they would now stay at La-Quinta-Inn-&-Suites.

Credits: Dawn Callahan, chief marketing officer;  Lauren de la Fuente, vice president, marketing & communications; Henry Blechman, director of digital sales, east; Collin Middleton, director, digital strategy; Nicolette Trebing, strategist social media; Andrew MacArthur, manager, media marketing.

The Wisconsin Department of Tourism is serious about winter. Utilizing real-time weather projections, the "Snow Storm Support” campaign kick-started when six inches of snow covered 30% or more of a key region. Billboards in major Midwest cities would highlight fun winter sports, like skiing, snowboarding and sledding. Non-snow conditions activated indoor pleasures in mid-February. By aligning promos to weather, site sessions rose 10%. Nearly 1,700 arrivals visited, an average arrival per thousand 46% higher than the industry benchmark. In the Badger State, cold is hot.

Credits: Dan Fietsam, Chief Creative Officer Pat Laughlin, Creative Director Ruby Engen, Art Director Brian Sterricker, Copywriting Kelli Sumwalt, VP Media Natalie Kamenick, Account Supervisor Elise Bayer, Account Coordinator

Gobo Play and In Loco Media created a campaign integrating DOOH and mobile in Brazil. Each time someone walked by a Filhos da Pátria advertisement displayed on one of Clear Channel's digital clocks in the city the platform connected with nearby smartphones. In Loco's 600 partner apps made it possible for the platform to serve the same ad displayed on the screen on the mobile device. The ad would direct the person using the phone to the streaming website.

Credits: Caio Casado, Data Intelligence Manager at In Loco Media Eduardo Martins, CMO at In Loco Media Camila Carneiro, Media Analyst at Globo Vitor Silveira, Media Director at Globo Jane Chamarelli, Rio de Janeiro's Sales Manager at Clear Channel

LG and Screenvision Media weaved two features of the brand's G5 phone into the narrative. They teamed up with 20th Century Fox to demonstrate 1-touch wide zoom and a replaceable battery by connecting a real-world event in the desert with a scene from the movie, Independence Day Resurgence. Visual effects partner Able VFX recreate a desert scene from the film, so while taking a picture of his friends the camera photographer in the spot would see through the lens alien planes flying in overhead.

Credits: Matt Arden, SVP/ECD, Screenvision Media/40 Foot Solutions John McCauley, CMO, Screenvision Media Christine Martino, EVP National Ad Sales, Screenvision Media Katy Loria, CRO, Screenvision Media

This is an extraordinary example of aerial advertising. MTV used VMA host city New York for a stunt to drive VMA tune-in. Viacom used helicopters to project video onto a 17,500-foot-square screen from the Statue of Liberty to the George Washington Bridge over 1.5 hours. Fans, talent, press and influencers took to social, giving MTV a 1,587% viral lift. Not only did it do the job of promoting VMA singers, the event won a Guinness World Record for largest aerial projection screen. Remarkable!

Credits: Dario Spina – Chief Marketing Officer, Music & Entertainment – Viacom Velocity Chris Ficarra – EVP, Integrated Marketing Music & Entertainment – Viacom Velocity Rachel Havner – Vice President, Integrated Marketing – Viacom Velocity Kevin Falatko – Director, Integrated Marketing – Viacom Velocity Ryan Osbourne - Head of Innovation – Remarkable Media Simon Powell – CEO – Remarkable Media Nikki Leynor - VP of Brand Strategy – Remarkable Media Andrew Horton – Producer – Remarkable Media

Berries are better when shared, as Driscoll showed in a campaign that brought people together in a park for its 3D Berry Picnic, where their movements triggered musical activations and tasty rewards. Emotional responses were captured in a video that was hosted and shared online through YouTube and social channels, garnering millions of views. A landing page showcased infographics and exclusive recipes, while a national sweepstakes gave people a chance to share their own stories and special moments with the #BerryTogether hashtag.

Credits: Fran Dillard Jamie Bassmann Diane Scalisi Amanda Partney Kim Allen Natasha Guaracha Alicia Weber Carly Norris Laudan Yavari

Dell partnered with Sony Pictures to create an immersive big-screen gaming experience in Times Square during the July 4, weekend based on the move Spider-Man: Homecoming. Dell's hardware, powered the game, allowing four-players to simultaneously control Spider-Man as he raced to the top of a real-life New York City skyscraper using their mobile phones. The campaign, meant to promote Dell's Inspiron 15, garnered 45M OOH media impressions and earned more than 40 million impressions via PR efforts.

Credits: Kinetic • Robin Yablonski, Director, Kinetic • Stephanie Chiu, Manager, Kinetic • Micaela Moffa, Assistant Account Executive, Kinetic • Kelsey Moran, Account Executive, Kinetic • Rachel Kessman, Director, Marketing, Kinetic Candyspace • Greg Crockart, CEO, Candyspace • Matt Autton, Producer, Candyspace • Tara Petrucci, Interactive Designer, Candyspace Mediacom • Marianne Vita - Communications Planning Director, Mediacom • Austine Man - Associate Director, Mediacom • Kevin Tymon - Supervisor, Mediacom • Pat Charuza - Planner, Mediacom • William Qua - Assistant Planner, Mediacom Y&R/VML Account: • Jessica Post, Global Managing Director, Y&R/VML • Ann Carey-Group Account Director, Y&R/VML • Kalyn Snow—Account Supervisor, Y&R/VML • Courtney Galloway—Senior Account Manger, Y&R/VML • Patricia Woodward—Project Manager, Y&R/VML   Y&R/VML Creative: • Christian Carl—Global Executive Creative Director, Y&R/VML • Thomas Shim— Global Creative Director, Y&R/VML • Dave Quintiliani—Group Creative Director, Y&R/VML • Dave Drayer—Associate Creative Director, Y&R/VML • John Figlesthaler—Senior Copywriter, Y&R/VML • Colby House— Associate Art Director, Y&R/VML

Newark Airport is giving JFK a run for its money. Newark (EWR) is actually closer for New Yorkers, particularly on the West Side. And urbanites are all about saving time. To prove it, United launched a campaign to underscore convenience and popularity — 41 million people fly out of Newark each year — over 28 million on United. To push its convenience message, taxi tops showcased drive times to JFK vs. Newark, updated by real-time data. Media secured 26+ million consumer impressions for the campaign.

Credits: Creative Credits Advertising Agency: mcgarrybowen Chief Creative Officer, New York: Matthew Bull Managing Director, ECD: Haydn Morris Group Creative Director, Copy: David DiRienz Associate Art Director: Steven Graziano Sr. Art Director: Erik Jansen Copywriter: Anthony Pagaza Account Managing Director: Joey Ziarko Account Executive: Amy Laughlin Account Supervisor: Kayla Friedman Executive Director, Strategy: Diane Epstein Media Credits Taxi Media Network: Verifone Media Verifone, Vice President Taxi Media: Chris Polos Verifone, National Account Manager: Lonnie Passy Verifone, Sr. Product Manager: Daniel Fish Media Agency: Kinetic & MEC Kinetic, Director: Robin Yablonski Kinetic, Manager: Stephanie Chiu Kinetic, Account Executive: Kelsey Moran Kinetic, Assistant Account Executive: Micaela Moffa MEC, Partner/Director: Megan Warfield MEC, Manager: Jimmy Feliz MEC, Senior Associate: Chris Brady, United Dynamic Taxi Top for United/MEC by Kinetic and Verifone Media for United.

When the hockey world challenged Canada on home turf, Budweiser saw red. Literally. Every time Canada scored a goal, the beer maker lit up the nation. Live, goal-synced digital columns in high-trafficked areas — transit hubs, billboards, even restaurant washrooms — brightly celebrated a score. And the verbal slams, like “Hey Europe, stick to soccer,” didn’t hurt, either. The dynamic digital component helped drive a 20% lift in brand “hockey association” and generated a record 95MM earned impressions. Talking about setting goals.

Credits: Pete Breton, Executive Creative Director; Dave Douglass, Executive Creative Director; Jamie Marcovitch, Associate Creative Director/Copywriter; Todd Cornelius, Associate Creative Director/Art Director; Andy Slater, Designer; Candace Borland, Managing Director; Matt Holton, Account Director; Paul Lipson, Director of Communications Strategy; Thomas Gaylor, Account Executive; Rob Murray, Print Producer; Jared Aldridge, Manager, Connection Planning; Graham Walmsley, Supervisor, Connection Planning; Kyle Norrington, VP Marketing; Andrew Oosterhuis, Brand Director; Candy Lee, Senior Brand Manager; Lindsay Olimer, Trade Activation Manager;

Research told Driscoll’s that berries make people happy, and especially so when shared with others. To bring those insights to life, the brand invited unsuspecting park patrons to immerse themselves in a hand-painted 3D portrait. Thanks to touch-sensitive musical cues and other tricks, families and friends couldn’t keep their hands off of the larger-than-life display. Hand Crank Films helped Driscoll’s turn the charming execution into video assets, which then served as the foundation for the brand’s broader #BerryTogether social media campaign.

Credits: Fran Dillard Jamie Bassmann Diane Scalisi Amanda Partney Kim Allen Natasha Guaracha Alicia Weber Carly Norris Laudan Yavari

NBC became the first entertainment company to advertise in New York CIty's new state-of-the-art World Trade Center transportation hub as Kinetic captivated downtown commuters with a huge, dynamic digital screen resembling a moving checkout line, featuring GIFs to promote NBC comedy "Superstore." NBC beat competitors during 2016 Premiere Week with an average 2.5 rating for 18-49 viewers, while Season 2 was 29% higher for the time slot in non-sports programming for the demographic -- and NBC picked up Season 3.

Credits: Kinetic: • Andrew Maceda, Manager, Kinetic • Justin Symons, Director, Kinetic • Maureen McCloskey, Managing Director, Kinetic • Nicole Moss, Account Executive, Kinetic   Maxus: • Sarah Giannantonio, Strategic Director, Maxus • Laura Zapakin, Group Director, Maxus • Monique Sheth, Media Planner NBC Entertainment, Maxus   NBC:  • Gerry Logue, SVP Digital and Print Creative NBC Entertainment • Kjerstin Beatty, SVP Media NBC Entertainment • Kristen Ehlers, Director of Digital Project Management NBC Entertainment • Nisakorn Carthunjarearn, Designer NBC Entertainment • Jessica Smuckler, Media Manager NBC Entertainment • Sherry Yi, Media Coordinator NBC Entertainment

Gobo Play and In Loco Media created a campaign integrating DOOH and mobile in Brazil. Each time someone walked by a Filhos da Pátria advertisement displayed on one of Clear Channel's digital clocks in the city the platform connected with nearby smartphones. In Loco's 600 partner apps made it possible for the platform to serve the same ad displayed on the screen on the mobile device. The ad would direct the person using the phone to the streaming website.

Credits: Caio Casado, Data Intelligence Manager at In Loco Media Eduardo Martins, CMO at In Loco Media Camila Carneiro, Media Analyst at Globo Vitor Silveira, Media Director at Globo Jane Chamarelli, Rio de Janeiro's Sales Manager at Clear Channel

Freeform transformed a bus shelter in Boston into an augmented reality experience to promote the fantasy TV series Shadowhunters. Passersby caught glimpses of “The Downworld” an alternate world of demons, werewolves and vampires that humans cannot see. The campaign, which ran in December and early January, feed the video through the JCDecaux bus shelter in Boston, giving the illusion of a see-through display. As people watched, a portal emerged over the street ahead offering an experience of what it’s like to be a Shadowhunter.

Credits: Freeform Marketing and Creative Team Nigel Cox-Hagan – SVP Marketing, Creative & Branding Danielle Mullin – VP, Marketing Deena Beach – Executive Director, Marketing Stacy Asturias – VP, Marketing Creative Dave Humphreys – Executive Creative Director Dianalee Dupree – Sr. Manager Media Strategy & Planning Propeller Media Agency C2C/Posterscope Grand Visual

Looking to establish itself as an innovative, next-generation auto brand upon the launch of its IONIQ model offering three electrified versions, Hyundai became the first car brand to use DOOH vehicle recognition technology. In a campaign with Ocean, vehicles in distinct audience groups were detected in UK locations at lights and traffic roundabouts, and unique, personalized messages were sent to their drivers via digital outdoor screens. Hyundai met its goal of reaching a targeted audience with its messages for maximum efficiency and minimum advertising waste.

Credits: Havas Media Innocean Hyundai Motors UK Ocean Outdoor

18 Feet and Rising created #MarchforGiants to bring attention to the impact of illegal poaching of African elephants. The march unfolded live across DOOH screens spanning three continents. Individuals donated to become part of the story creating and naming their own. Nearly 3,000 digital branded elephants took part during the two days from Hong Kong to Manchester. Brands and celebrities tweeted #MarchforGiants and images of their personalized elephants. The campaign reached 38.6 million people on Twitter, generating more than 30 articles by international media.

Credits: Client: Space for Giants Agency: 18 Feet & Rising Digital Agency: Popped Digital Integration: DOOH.com Media Planning: Ocean Outdoor